The Swastika, the Earliest Known Symbol, and Its Migration: With Observations on the Migration of Certain Industries in Prehistoric TimesWilson, Thomas
Religion
The Swastika, the Earliest Known Symbol, and Its Migration: With Observations on the Migration of Certain Industries in Prehistoric Times
Wilson, Thomas
Industries, Primitive; Swastikas; Symbolism
Evidence leading to conviction may be found in associated contemporaneous
specimens. M. Montelius, an archæologist of repute in the National Museum
at Stockholm, discovered eight stages of culture in the bronze age of that
country, which discovery was based solely upon the foregoing principle
applied to the fibulæ found in prehistoric graves. In assorting his stock
of fibulæ, he was enabled to lay out a series of eight styles, each
different, but with many presentations. He arranged them seriatim,
according to certain differences in size, style, elegance of workmanship,
etc., No. 1 being the smallest, and No. 8 the largest and most elaborate.
They were then classified according to locality and association, and he
discovered that Nos. 1 and 2 belonged together, on the same body or in the
same grave, and the same with Nos. 2 and 3, 3 and 4, and so on to No. 8,
but that there was no general or indefinite intermixture; Nos. 1 and 3 or
2 and 4 were not found together and were not associated, and so on. Nos. 7
and 8 were associated, but not 6 and 8, nor 5 and 7, nor was there any
association beyond adjoining numbers in the series. Thus Montelius was
able to determine that each one or each two of the series formed a stage
in the culture of these peoples. While the numbers of the series
separated from each other, as 1, 5, 8, were never found associated, yet
it was conclusively shown that they were related, were the same object,
all served a similar purpose, and together formed an evolutionary series
showing their common origin, derivative growth and continuous improvement
in art, always by communication between their makers or owners.
[Illustration: Fig. 94. LARGE BICONICAL SPINDLE-WHORL. Four crosses with
bifurcated arms. Third city. Depth, 23 feet. Schliemann, "Ilios," fig.
1855.]
[Illustration: Fig. 95. SPINDLE-WHORL. Hole and large circle in center
with broad arms of Greek cross. Third city. Depth, 26.4 feet. Schliemann,
"Ilios," fig. 1820.]
[Illustration: Fig. 96. SPINDLE-WHORL. Hole and large circle in center.
Extended parallel arms with dots, forming a Greek Cross. Third city.
Depth, 23 feet. Schliemann, "Ilios," fig. 1817.]
[Illustration: Fig. 97. SPINDLE-WHORL. Greek cross. Tapering arms with
dots. Third city. Depth, 23 feet. Schliemann, "Ilios," fig. 1818.]
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