The Sword of Damocles: A Story of New York LifeGreen, Anna Katharine
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The Sword of Damocles: A Story of New York Life
Green, Anna Katharine
Detective and mystery stories; New York (N.Y.) -- Fiction
“A jingler on the piano, eh? Pretty poor use for a man to put his brains
to, I say, or even his fingers. Sorry to hear we cannot be friends.” And
without waiting for a reply, took my introducer by the arm and drew him
a step or so to one side. “Why didn’t you say at once he was Mandeville
the musician,” I overheard him ask in somewhat querulous tones. “Don’t
you know I consider the whole race of them an abomination. I would have
more respect for my bank clerk than I would for the greatest man of them
all, were it Rubenstein himself.” Then in a lower tone but distinctly
and almost as if he meant me to hear, “My daughter has a leaning towards
this same fol-de-rol and has lately requested my permission to make the
acquaintance of some musical characters, but I soon convinced her that
manhood under the disguise of a harlequin’s jacket could have no
interest for her; that when a human being, man or woman has sunk to be a
mere rattler of sweet sounds, he has reached a stage of infantile
development that has little in common with the nervous energy and
business force of her Dutch ancestry. And my daughter stoops to make no
acquaintances she cannot bid sit at her father’s table.”
“Your daughter is a child yet, I thought,” was ventured by his
companion.
“Miss Preston is sixteen, just the age at which my mother gave her hand
to my respected father sixty-seven years ago.” And with this drop of
burning lead let fall into my already agitated bosom they passed on.
He would have more respect for his bank clerk! Would his bank clerk or
what was better, a young man with means at his command, working in a
business capacity more in consonance with the tastes he had evinced,
have a chance of winning his daughter? I began to think he might. “The
way grows clearer!” I exclaimed.
But it was not till after another interview with him ten minutes later
in the lobby that I finally made up my mind. He was standing quite alone
in an obscure corner, fumbling in an awkward way with his muffler that
had caught on the button of his coat. Seeing it, I hastened forward to
his assistance and was rewarded by a kind enough nod to embolden me to
say,
“I have been introduced to you as a musician; would my acquaintance be
more acceptable to you if I told you that the pursuit of art bids fair
in my case to yield to the exigencies of business? That I purpose
leaving the concert-room for the banker’s office and that henceforth my
only ambition promises to be that of Wall Street?”
“It most certainly would,” exclaimed he, holding out his hand with an
unmistakable gesture of satisfaction. “You have too good a countenance
to waste before a piano-top strumming to the smirks of women and the
plaudits of weak-headed men. Let us see you at the desk, my lad. We are
in want of trustworthy young men to take the place of us older ones.”
Then politely, “Do you expect to make the change soon?”
“I do,” said I.
And the Rubicon was passed.
VI.
A HAND CLASP.
“_Fer._—Here’s my hand.
Public-domain text, read in full here on John Shaqi.
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