The Sword of Deborah: First-hand impressions of the British Women's Army in FranceJesse, F. Tennyson (Fryniwyd Tennyson)
History
The Sword of Deborah: First-hand impressions of the British Women's Army in France
Jesse, F. Tennyson (Fryniwyd Tennyson)
World War, 1914-1918 -- Women
Just as all the apparently endless combinations of initials in France
are symbols of living realities to those who understand them, and of
their ignorance to those who don't just as the very heading of "A.B.C."
which I have given this chapter typifies both those combinations of
initials and the fact that you and I are beginning at the very
beginning--for no one could have been more blankly ignorant than I when
I went over to France--so the letter "I" whenever it occurs in this book
is a symbol for You.
CHAPTER II
THE FEVER CHART OF WAR
"The women are splendid...." How tired we are of hearing that, so tired
that we begin to doubt it, and the least hostile emotion that it evokes
is the sense that after all the men are so much more splendid, so far
beyond praise, that the less one says of anyone else the better. That
sentence is dead, let us hope, fallen into the same limbo as "Business
as Usual" and the rest of the early war-gags, but the prejudices it
aroused, the feeling of boredom, have not all died with it. Words have
at least this in common with men, that the evil that they do lives after
them.
Let me admit that when those in authority sent for me to go to France
and see what certain sections of the women there were doing, I didn't
want to go. I told them rather ungraciously that if they wanted the
"sunny-haired-lassies-in-khaki-touch" they had better send somebody
else. I am not, and never have been, a feminist or any other sort of an
'ist, never having been able to divide humanity into two different
classes labelled "men" and "women." Also, to tell the truth, the idea
of going so far behind the lines did not appeal. For this there is the
excuse that in England one grows so sick of the people who talk of
"going to the Front" when they mean going to some safe château as a base
for a personally conducted tour, or--Conscientious objectors are the
worst sinners in this latter class--when they are going to sit at
canteens or paint huts a hundred miles or so behind the last line of
trenches. The reaction from this sort of thing is very apt to make one
say: "Oh, France? There's no more in being in France behind the lines
than in working in England." A point of view in which I was utterly and
completely wrong. There is a great deal of difference, not in any
increased danger, but in quite other ways, as I shall show in the place
and order in which it was gradually made apparent to me.
Public-domain text, read in full here on John Shaqi.
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