The Symbolism of Churches and Church Ornaments: A Translation of the First Book of the Rationale Divinorum OfficiorumDurand, Guillaume
Religion
The Symbolism of Churches and Church Ornaments: A Translation of the First Book of the Rationale Divinorum Officiorum
Durand, Guillaume
Christian art and symbolism; Church architecture
The whole arrangement of the church is symbolised at much length, as
setting forth the different divisions of the laity and the states of
the faithful with respect to advance in holiness. The great portico
symbolised God the Father: the side porticoes the other Two Persons of
the Most Holy Trinity. The seats represented the souls of the
faithful, upon which, {lxxiii} as on the Day of Pentecost, the cloven
tongues would descend and _sit_ upon each of them. 'The revered and
great and only altar, what could this be but the spotlessness of soul
and holiness of holies of the common Priest of us all?' [Footnote 48]
Once more, the parallel between the spiritual and the material
Churches being continued, the Word, the Great Demiurgus of all things,
is said to have Himself made upon earth a copy of the heavenly pattern
which is the Church of the Firstborn written in heaven, Jerusalem that
is above, Sion the Mount of God, and the city of the living God.
[Footnote 48: Euseb. H. E., x, 65.]
It appears then that throughout this description a symbolical meaning
is found attached to the material church: and this not far-fetched or
now first fancifully imagined; but appealing, as it seems, to what the
auditors would be prepared to grant, and admitted by the historian
without a comment, as one specimen of a class.
We have before remarked that every notice of the particular
distribution of a church for the reception of the different classes of
Christians, may be taken as an argument on our side: for if it can be
shown that the form of churches was not arbitrary, but was adapted to
certain peculiar wants, it must be granted that there was some
particular law of design, and that law connected with Ritual: and
then, as before pointed out, this arrangement becomes itself
symbolical, and that _intentionally_. We shall only refer here to a
passage quoted by Bingham, [Footnote 49] in which S. Gregory
Thaumaturgus describes the places in church assigned respectively to
the five degrees of Penitents. Mede [Footnote 50] argues for the
_existence_ of churches in the first three centuries, from the
universal custom of praying towards the East, the necessity of {lxxiv}
providing distinct places for the Penitents, Hearers, Catechumens, and
Faithful, and from the patterns of the Jewish _proseuchae_ and
synagogues. But all these arguments seem to tell as much for some
particular form of churches as for their existence: that is they prove
that the earliest churches were designed on rules which, even if not
intentionally symbolical (though we have shown that many were so),
became by a natural process intentional among later church-builders.
[Footnote 49: Greg. Nyssen, iii, 567.]
[Footnote 50: Discourse of Churches, Folio Edn., p. 333.]
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