The Symbolism of Churches and Church Ornaments: A Translation of the First Book of the Rationale Divinorum OfficiorumDurand, Guillaume
Religion
The Symbolism of Churches and Church Ornaments: A Translation of the First Book of the Rationale Divinorum Officiorum
Durand, Guillaume
Christian art and symbolism; Church architecture
Several objections to the symbolical system have been noticed and
answered in the course of this treatise. We shall, however, devote a
greater space to the consideration of one difficulty which has often
been raised by opponents, and has often been felt even by such as have
adopted the theory. It is said, for example, that to assert the nave
and two aisles, or a triplet of lancets, to be symbolical of the Most
Holy Trinity, is both false and profane, when, as is almost always the
case, the aisles are much less broad than the nave, and the three
lancets are unequal both in height and breadth: whereas in the Trinity
none is afore or after other, none is greater or less than another.
But the difficulty seems only to arise from carrying the similitude
too far: the point of resemblance is in these cases a single one: the
mere trinity of the arrangement is the only particular which gives
rise to the symbol. 'Three mystic lines approach the shrine,' sings
the poet of the Christian year for Trinity Sunday. The number alone is
answerable for the emblem. We do not deny that an equilateral triangle
is a more perfect symbol of the Blessed Trinity: but even here a
captious man might object to the emblem, because the angles gain
greater or less prominence according to the position in which the
triangle is placed. {cxiv} The Catholic monogram of the Trinity, for
example, assigns to the Father and the Son the upper angles of a
triangle standing on the third point. On the other hand the modern
triangle, generally charged with the Hebrew word Jehovah, has the
third angle uppermost. We can quite conceive these differences being
thought objectionable. The case is not so strong indeed as when the
three members are unequal, but still it is the same in kind and in
reality.
It is a condition of emblems that the points of similitude must not be
pressed too far. The material Sun indeed typifies the Sun of
Righteousness: but in what particulars? in its being _created_, in its
rising on the dark world _every_ day, in its being matter? Surely not:
but in this one point, that it brings light and heat to the earth. _I
am the Door_, said our Lord. In what particulars, we may again ask? It
would be profane to show by examples that it is only in this point:
that a door is for entrance into a material house just as we enter
into the Church through Christ. The ark, our Church teaches us, was an
emblem of the Church: not in its human building, nor in its final
perishing; but in that it saved souls by water. Did the Paschal Lamb
typify the Immaculate Victim in any thing more than its comparative
purity and its bloody death? We need not multiply such examples.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account