The Symbolism of Churches and Church Ornaments: A Translation of the First Book of the Rationale Divinorum OfficiorumDurand, Guillaume
Religion
The Symbolism of Churches and Church Ornaments: A Translation of the First Book of the Rationale Divinorum Officiorum
Durand, Guillaume
Christian art and symbolism; Church architecture
But there is another consideration to be adduced. Our Lord's own
parables must not be pressed too far. The history of the five wise and
five foolish virgins, must not be adduced to prove that the number of
the lost will equal that of the saved. This may be dangerous ground,
but the assertion is true. Every parable is figurative to a certain
point, and no further. Not that there is much danger of persons not
knowing where the line is to be drawn: any more than there would be in
the case of { cxv} one of a reverent mind, who was told that the
triplicity of aisles and windows typified a great doctrine. The
_British Critic_ made a very just observation on this point, that it
argued a great blindness of spiritual vision to deny such an emblem,
because the similitude was not complete in all points. Indeed if all
points answered so closely and exactly to each other, it is not clear
how a similitude would differ from a fac-simile. The very notion of a
thing being like another involves the fact that the two are not
identical. Nothing more is found or expected, than a similarity, an
analogy, in certain qualities. For in all symbolism it is quality and
not essence in which resemblance is sought.
Which leads us to consider another objection sometimes urged to the
effect that if a thing mean one thing it cannot mean another. For
example, if the nave and aisles represent the Holy Trinity, they
cannot also represent the Church Militant here on earth, or in another
point of view the true fold. Again, if the piers and arches set forth
the foundation of the apostles and prophets, they must not bear a part
in the representation of the Trinity together with the cleristory and
triforium. But this difficulty vanishes if we remember that the
resemblance, for the most part, is derived from grouping independent
things together and viewing them in a particular light. We do not deny
the _real_ essential symbolism of a material result: but this its
particular significancy need not obtrude itself at all times: the
thing itself in other combinations, and viewed under other aspects,
may acquire an additional and occasional meaning. For example, it is
the union of the rose, thistle, and shamrock, which is the emblem of
our United Empire: they have each their own figurative sense; in
combination they acquire a new meaning. The harp is not less the
emblem of Ireland, because it must primarily represent music. {cxvi}
Leaven was of old the symbol of wickedness: our Lord spake of the
leaven of the Scribes and Pharisees: yet we hear from His own lips,
The kingdom of heaven is like unto leaven. [Footnote 77]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account