The Symbolism of Churches and Church Ornaments: A Translation of the First Book of the Rationale Divinorum OfficiorumDurand, Guillaume
Religion
The Symbolism of Churches and Church Ornaments: A Translation of the First Book of the Rationale Divinorum Officiorum
Durand, Guillaume
Christian art and symbolism; Church architecture
[Footnote 77: We have the highest authority for believing that one
type can symbolise two things quite independent of each other, in
that the Jewish Sabbath, commanded from Sinai to be observed in
commemoration of the Rest after the Creation, is enforced in
Deuteronomy as the representation of the rest of the children of
Israel from Egyptian bondage. 'Remember,' says Moses, 'that thou
wast a servant in the land of Egypt, and that the Lord thy God
brought thee out thence through a mighty hand and by a stretched out
arm: _therefore_ the Lord thy God commanded thee to keep the Sabbath
day.'--Deut. v, 15.]
Another objection is as follows: If this theory be true, how will you
account for churches with nothing but a nave, or with only one aisle;
how for churches with neither cleristory nor triforio; or, on the
other hand, for those with double triforia, or with four or five
aisles? Now we never asserted that it was necessary that all, or
indeed any, given things should be intentionally symbolised. We have
pointed out that some things are essentially symbolical; others
accidentally and occasionally. We might attempt to classify what
_must_ be symbolised in church building, and what _may_ be. But we
decline to do so because we do not think that the principles of
symbolism are yet sufficiently investigated or apprehended. However,
in a general way, _every_ building must, from the nature of things,
have some accidents, as of material, of parts, of plan; every
particular building must have particular accidents, as of use and
purpose. These accidents _must_ be symbolical, from their nature, in a
general way: they may derive, from purpose added to their nature, a
further or modified symbolism in a particular way. With the first sort
it is that Durandus chiefly concerns himself A building must have
walls, must have roof, piers, windows, corners, and floor. For each
then he finds a meaning. {cxvii} He does not quite neglect the second
sort. Early English windows must have a splay: the spire may have a
weathercock: for these then there is an appropriate signification. So
we do not mean to insist that certain things _shall_ be symbolised, we
say they _may_ be symbolised. Perhaps when more is known, we shall be
able to criticise ancient buildings, to show their faults or their
shortcomings in this particular. As it is, we have framed a sort of
_beau ideal_ of a church, fully formed and developed, which we should
propose as a perfect model. We are not qualified as yet to blame the
ancient churches which do not come up to this ideal, but we cannot be
wrong in praising such as do.
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