The symbolism of Freemasonry : $b Illustrating and explaining its science and philosophy, its legends, myths and symbols — John Shaqi
The symbolism of Freemasonry : $b Illustrating and explaining its science and philosophy, its legends, myths and symbolsMackey, Albert Gallatin
Religion
The symbolism of Freemasonry : $b Illustrating and explaining its science and philosophy, its legends, myths and symbols
Mackey, Albert Gallatin
Freemasonry -- Symbolism
Thousands of years ago, this science of symbolism was adopted by the
sagacious priesthood of Egypt to convey the lessons of worldly wisdom and
religious knowledge, which they thus communicated to their disciples.[45]
Their science, their history, and their philosophy were thus concealed
beneath an impenetrable veil from all the profane, and only the few who
had passed through the severe ordeal of initiation were put in possession
of the key which enabled them to decipher and read with ease those mystic
lessons which we still see engraved upon the obelisks, the tombs, and the
sarcophagi, which lie scattered, at this day, in endless profusion along
the banks of the Nile.
From the Egyptians the same method of symbolic instruction was diffused
among all the pagan nations of antiquity, and was used in all the ancient
Mysteries[46] as the medium of communicating to the initiated the esoteric
and secret doctrines for whose preservation and promulgation these
singular associations were formed.
Moses, who, as Holy Writ informs us, was skilled in all the learning of
Egypt, brought with him, from that cradle of the sciences, a perfect
knowledge of the science of symbolism, as it was taught by the priests of
Isis and Osiris, and applied it to the ceremonies with which he invested
the purer religion of the people for whom he had been appointed to
legislate.[47]
Hence we learn, from the great Jewish historian, that, in the construction
of the tabernacle, which gave the first model for the temple at Jerusalem,
and afterwards for every masonic lodge, this principle of symbolism was
applied to every part of it. Thus it was divided into three parts, to
represent the three great elementary divisions of the universe--the land,
the sea, and the air. The first two, or exterior portions, which were
accessible to the priests and the people, were symbolic of the land and
the sea, which all men might inhabit; while the third, or interior
division,--the holy of holies,--whose threshold no mortal dared to cross,
and which was peculiarly consecrated to GOD, was emblematic of heaven, his
dwelling-place. The veils, too, according to Josephus, were intended for
symbolic instruction in their color and their materials. Collectively,
they represented the four elements of the universe; and, in passing, it
may be observed that this notion of symbolizing the universe characterized
all the ancient systems, both the true and the false, and that the remains
of the principle are to be found everywhere, even at this day, pervading
Masonry, which is but a development of these systems. In the four veils of
the tabernacle, the white or fine linen signified the earth, from which
flax was produced; the scarlet signified fire, appropriately represented
by its flaming color; the purple typified the sea, in allusion to the
shell-fish murex, from which the tint was obtained; and the blue, the
color of the firmament, was emblematic of air.[48]
Public-domain text, read in full here on John Shaqi.
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