The symbolism of Freemasonry : $b Illustrating and explaining its science and philosophy, its legends, myths and symbolsMackey, Albert Gallatin
Religion
The symbolism of Freemasonry : $b Illustrating and explaining its science and philosophy, its legends, myths and symbols
Mackey, Albert Gallatin
Freemasonry -- Symbolism
Thus we know, from our own experience among modern workmen, who still
pursue the same method, as well as from the traditions of the order, that
the implements used in the quarries were few and simple, the work there
requiring necessarily, indeed, but two tools, namely, the _twenty-four
inch gauge_, or two foot rule, and the _common gavel_, or stone-cutter's
hammer. With the former implement, the operative mason took the necessary
dimensions of the stone he was about to prepare, and with the latter, by
repeated blows, skilfully applied, he broke off every unnecessary
protuberance, and rendered it smooth and square, and fit to take its place
in the building.
And thus, in the first degree of speculative Masonry, the Entered
Apprentice receives these simple implements, as the emblematic working
tools of his profession, with their appropriate symbolical instruction. To
the operative mason their mechanical and practical use alone is signified,
and nothing more of value does their presence convey to his mind. To the
speculative Mason the sight of them is suggestive of far nobler and
sublimer thoughts; they teach him to measure, not stones, but time; not to
smooth and polish the marble for the builder's use, but to purify and
cleanse his heart from every vice and imperfection that would render it
unfit for a place in the spiritual temple of his body.
In the symbolic alphabet of Freemasonry, therefore, the twenty-four inch
gauge is a symbol of time well employed; the common gavel, of the
purification of the heart.
Here we may pause for a moment to refer to one of the coincidences between
Freemasonry and those _Mysteries_[59] which formed so important a part of
the ancient religions, and which coincidences have led the writers on this
subject to the formation of a well-supported theory that there was a
common connection between them. The coincidence to which I at present
allude is this: in all these Mysteries--the incipient ceremony of
initiation--the first step taken by the candidate was a lustration or
purification. The aspirant was not permitted to enter the sacred
vestibule, or take any part in the secret formula of initiation, until, by
water or by fire, he was emblematically purified from the corruptions of
the world which he was about to leave behind. I need not, after this, do
more than suggest the similarity of this formula, in principle, to a
corresponding one in Freemasonry, where the first symbols presented to the
apprentice are those which inculcate a purification of the heart, of which
the purification of the body in the ancient Mysteries was symbolic.
We no longer use the bath or the fountain, because in our philosophical
system the symbolization is more abstract, if I may use the term; but we
present the aspirant with the _lamb-skin apron_, the _gauge_, and the
_gavel_, as symbols of a spiritual purification. The design is the same,
but the mode in which it is accomplished is different.
Public-domain text, read in full here on John Shaqi.
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