The Symbolist Movement in LiteratureSymons, Arthur
History
The Symbolist Movement in Literature
Symons, Arthur
French literature -- 19th century -- History and criticism; Symbolism (Literary movement) -- France
counsel of perfection which can ever really mean much to the artist.
BIBLIOGRAPHY AND NOTES
The essays contained in this book are not intended to give information.
They are concerned with ideas rather than with facts; each is a study
of a problem, only in part a literary one, in which I have endeavoured
to consider writers as personalities under the action of spiritual
forces, or as themselves so many forces. But it has seemed to me that
readers have a right to demand information in regard to writers who are
so often likely to be unfamiliar to them. I have, therefore, given a
bibliography of the works of each writer with whom I have dealt, and
I have added a number of notes, giving various particulars which I
think are likely to be useful in fixing more definitely the personal
characteristics of these writers.
HONORÉ DE BALZAC
(1799-1850)
La Comédie Humaine
_Scènes de la Vie Privée_
_Préface. La Maison du Chat-qui-pelote,_ 1829; _Le Bal de Sceaux,_
1829; _Mémoires de deux jeunes Mariées,_ 1841; _La Bourse,_ 1832;
_Modeste Mignon,_ 1844; _Un Début dans la vie,_ 1842; _Albert Savarus,_
1842; _La Vendetta,_ 1830; _La Paix du ménage,_ 1829; _Madame
Firmiani,_ 1832; _Étude de femme,_ 1830; _La Fausse maîtresse,_ 1842;
_Une Fille d'Eve,_ 1838; _Le Message,_ 1832; _La Grenadière,_ 1832; _La
Femme abandonnée,_ 1832; _Honorine,_ 1843; _Beatrix,_ 1838; _Gobseck,_
1830; _La Femme de trente ans,_ 1834; _La Père Goriot,_ 1834; _Le
Colonel Chabert,_ 1832; _La Messe de l'Athée,_ 1836; _L'Interdiction,_
1836; Le _Contrat de mariage,_ 1835; Autre _étude de femme,_ 1839; La
_Grande Bretêche,_ 1832.
_Scènes de la vie de Province_
_Ursule Mirouët,_ 1841; _Eugénie Grandet,_ 1833; _Le Lys dans la
vallée_, 1835; _Pierrette,_ 1839; _Le Curé de Tours_, 1832; _La
Ménage d'un garçon,_ 1842; _L'illustre Gaudissart,_ 1833; _La Muse
du département,_ 1843; _Le Vieille fille_, 1836; _Le Cabinet des
Antiques,_ 1837; _Les Illusions Perdues,_ 1836.
_Scènes de la Vie Parisienne_
_Ferragus,_ 1833; _Là Duchesse de Langeais,_ 1834; _La Fille aux yeux
d'or,_ 1834; _La Grandeur et la Décadence de César Birotteau,_ 1837;
_La Maison Nucingen,_ 1837; _Splendeurs et misères des courtisanes,_
1838; _Les Secrets de la Princesse de Cadignan,_ 1839; _Facino
Cane,_ 1836; _Sarrasine,_ 1830; _Pierre Grassou,_ 1839; _La Cousine
Bette,_ 1846; _Le Cousin Pons,_ 1847; _Un Prince de la Bohème,_ 1839;
_Gaudissart II,_ 1844; _Les Employés,_ 1836; _Les Comédiens sans le
savoir,_ 1845; _Les Petits Bourgeois,_ 1845.
_Scènes de la Vie Militaire_
_Les Chouans,_ 1827; _Une Passion dans le désert,_ 1830.
_Scènes de la Vie Politique_
_Un Épisode sous la Terreur,_ 1831; _Une Ténébreuse Affaire,_ 1841; _Z.
Marcos,_ 1840; _L'Envers de l'Histoire contemporaine,_ 1847; _Le Député
d'Arcis._
_Scènes de la Vie de Campagne_
_Le Médecin de campagne,_ 1832; _Le Curé de village,_ 1837; _Les
Paysans,_ 1845.
_Études Philosophiques_
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