The Symbolist Movement in LiteratureSymons, Arthur
History
The Symbolist Movement in Literature
Symons, Arthur
French literature -- 19th century -- History and criticism; Symbolism (Literary movement) -- France
Gérard de Nerval lived the transfigured inner life of the dreamer. "I
was very tired of life!" he says. And like so many dreamers, who have
all the luminous darkness of the universe in their brains, he found
his most precious and uninterrupted solitude in the crowded and more
sordid streets of great cities. He who had loved the Queen of Sheba,
and seen the seven Elohims dividing the world, could find nothing more
tolerable in mortal conditions, when he was truly aware of them, than
the company of the meanest of mankind, in whom poverty and vice, and
the hard pressure of civilisation, still leave some of the original
vivacity of the human comedy. The real world seeming to be always so
far from him, and a sort of terror of the gulfs holding him, in spite
of himself, to its flying skirts, he found something at all events
realisable, concrete, in these drinkers of Les Halles, these vagabonds
of the Place du Carrousel, among whom he so often sought refuge. It was
literally, in part, a refuge. During the day he could sleep, but night
wakened him, and that restlessness, which the night draws out in those
who are really under lunar influences, set his feet wandering, if only
in order that his mind might wander the less. The sun, as he mentions,
never appears in dreams; but, with the approach of night, is not every
one a little readier to believe in the mystery lurking behind the world?
Crains, dans le mur aveugle, un regard qui t'épie!
he writes in one of his great sonnets; and that fear of the invisible
watchfulness of nature was never absent from him. It is one of the
terrors of human existence that we may be led at once to seek and so
shun solitude; unable to bear the mortal pressure if its embrace,
unable to endure the nostalgia of its absence. "I think man's happiest
when he forgets himself," says an Elizabethan dramatist; and, with
Gérard, there was Adrienne to forget, and Jenny Colon the actress,
and the Queen of Sheba. But to have drunk of the cup of dreams is to
have drunk of the cup of eternal memory. The past, and, as it seemed
to him, the future were continually with him; only the present fled
continually from under his feet. It was only by the effort of this
contact with people who lived so sincerely in the day, the minute,
that he could find even a temporary foothold. With them, at least, he
could hold back all the stars, and the darkness beyond them, and the
interminable approach and disappearance of all the ages, if only for
the space between tavern and tavern, where he could open his eyes on so
frank an abandonment to the common drunkenness of most people in this
world, here for once really living the symbolic intoxication of their
ignorance.
Public-domain text, read in full here on John Shaqi.
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