The Symbolist Movement in LiteratureSymons, Arthur
History
The Symbolist Movement in Literature
Symons, Arthur
French literature -- 19th century -- History and criticism; Symbolism (Literary movement) -- France
Who has not often meditated, above all what artist, on the slightness,
after all, of the link which holds our faculties together in that sober
health of the brain which we call reason? Are there not moments when
that link seems to be worn down to so fine a tenuity that the wing of
a passing dream might suffice to snap it? The consciousness seems,
as it were, to expand and contract at once, into something too wide
for the universe, and too narrow for the thought of self to find room
within it. Is it that the sense of identity is about to evaporate,
annihilating all, or is it that a more profound identity, the identity
of the whole sentient universe, has been at last realised? Leaving the
concrete world on these brief voyages, the fear is that we may not have
strength to return, or that we may lose the way back. Every artist
lives a double life, in which he is for the most part conscious of the
illusions of the imagination. He is conscious also of the illusions of
the nerves, which he shares with every man of imaginative mind. Nights
of insomnia, days of anxious waiting, the sudden shock of an event, and
one of these common disturbances may be enough to jangle the tuneless
bells of one's nerves. The artist can distinguish these causes of
certain of his moods from those other causes which come to him because
he is an artist, and are properly concerned with that invention which
is his own function. Yet is there not some danger that he may come
to confuse one with the other, that he may "lose the thread" which
conducts him through the intricacies of the inner world?
The supreme artist, certainly, is the furthest of all men from this
danger; for he is the supreme intelligence. Like Dante, he can pass
through hell unsinged. With him, imagination is vision; when he looks
into the darkness, he sees. The vague dreamer, the insecure artist and
the uncertain mystic at once, sees only shadows, not recognising their
outlines. He is mastered by the images which have come at his call; he
has not the power which chains them for his slaves. "The kingdom of
Heaven suffers violence," and the dreamer who has gone tremblingly into
the darkness is in peril at the hands of those very real phantoms who
are the reflection of his fear.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account