The Symbolist Movement in LiteratureSymons, Arthur
History
The Symbolist Movement in Literature
Symons, Arthur
French literature -- 19th century -- History and criticism; Symbolism (Literary movement) -- France
In the sense in which that word is ordinarily used, Villiers has no
pathos. This is enough to explain why he can never, in the phrase he
would have disliked so greatly, "touch the popular heart." His mind is
too abstract to contain pity, and it is in his lack of pity that he
seems to put himself outside humanity. _A chacun son infini,_ he has
said, and in the avidity of his search for the infinite he has no mercy
for the blind weakness which goes stumbling over the earth, without so
much as knowing that the sun and stars are overhead. He sees only the
gross multitude, the multitude which has the contentment of the slave.
He cannot pardon stupidity, for it is incomprehensible to him. He sees,
rightly, that stupidity is more criminal than vice; if only because
vice is curable, stupidity incurable. But he does not realise, as the
great novelists have realised, that stupidity can be pathetic, and that
there is not a peasant, nor even a self-satisfied bourgeois, in whom
the soul has not its part, in whose existence it is not possible to be
interested.
Contempt, noble as it may be, anger, righteous though it may be, cannot
be indulged in without a certain lack of sympathy; and lack of sympathy
comes from a lack of patient understanding. It is certain that the
destiny of the greater part of the human race is either infinitely
pathetic or infinitely ridiculous. Under which aspect, then, shall
that destiny, and those obscure fractions of humanity, be considered?
Villiers was too sincere an idealist, too absolute in his idealism, to
hesitate. "As for living," he cries, in that splendid phrase of _Axël,_
"our servants will do that for us!" And, in the _Contes Cruels,_ there
is this not less characteristic expression of what was always his
mental attitude: "As at the play, in a central stall, one sits out, so
as not to disturb one's neighbours--out of courtesy, in a word--some
play written in a wearisome style and of which one does not like the
subject, so I lived, out of politeness": _je vivais par politesse._
In this haughtiness towards life, in this disdain of ordinary human
motives and ordinary human beings, there is at once the distinction and
the weakness of Villiers. And he has himself pointed the moral against
himself in these words of the story which forms the epilogue to the
_Contes Cruels:_ "When the forehead alone contains the existence of a
man, that man is enlightened only from above his head; then his jealous
shadow, prostrate under him, draws him by the feet, that it may drag
him down into the invisible."
3
Public-domain text, read in full here on John Shaqi.
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