The Symbolist Movement in LiteratureSymons, Arthur
History
The Symbolist Movement in Literature
Symons, Arthur
French literature -- 19th century -- History and criticism; Symbolism (Literary movement) -- France
part in the matter, as well as what it meant to have enlightened
without dazzling you. But there was always the feeling of comradeship,
the comradeship of a master, whom, while you were there at least,
you did not question; and that very feeling lifted you, in your own
estimation, nearer to art.
Invaluable, it seems to me, those Tuesdays must have been to the young
men of two generations who have been making French literature; they
were unique, certainly, in the experience of the young Englishman
who was always so cordially received there, with so flattering a
cordiality. Here was a house in which art, literature, was the very
atmosphere, a religious atmosphere; and the master of the house, in his
just a little solemn simplicity, a priest. I never heard the price
of a book mentioned, or the number of thousand francs which a popular
author had been paid for his last volume; here, in this one literary
house, literature was unknown as a trade. And, above all, the questions
that were discussed were never, at least, in Mallarmé's treatment, in
his guidance of them, other than essential questions, considerations
of art in the abstract of literature before it coagulates into a book,
of life as its amusing and various web spins the stuff of art. When,
indeed, the conversation, by some untimely hazard, drifted too near to
one, became for a moment, perhaps inconveniently, practical, it was
Mallarmé's solicitous politeness to wait, a little constrained, almost
uneasy, rolling his cigarette in silence, until the disturbing moment
had passed.
There were other disturbing moments, sometimes. I remember one night,
rather late, the sudden irruption of M. de Heredia, coming on after a
dinner-party, and seating himself in his well-filled evening dress,
precisely in Mallarmé's favourite chair. He was intensely amusing,
voluble, floridly vehement; Mallarmé, I am sure, was delighted to see
him; but the loud voice was a little trying to his nerves, and then he
did not know what to do without his chair. He was like a cat that has
been turned out of its favourite corner, as he roamed uneasily about
the room, resting an unaccustomed elbow on the sideboard, visibly at a
disadvantage.
Public-domain text, read in full here on John Shaqi.
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