The Symbolist Movement in LiteratureSymons, Arthur
History
The Symbolist Movement in Literature
Symons, Arthur
French literature -- 19th century -- History and criticism; Symbolism (Literary movement) -- France
The poems to Rimbaud, to Lucien Létinois, to others, the whole volume
of _Dédicaces,_ cover perhaps as wide a range of sentiment as _La Bonne
Chanson_ and _Chansons pour Elle._ The poetry of friendship has never
been sung with such plaintive sincerity, such simple human feeling, as
in some of these poems, which can only be compared, in modern poetry,
with a poem for which Verlaine had a great admiration, Tennyson's _In
Memoriam._ Only with Verlaine, the thing itself, the affection or the
regret, is everything; there is no room for meditation over destiny,
or search for a problematical consolation. Other poems speak a more
difficult language, in which, doubtless, _l'ennui de vivre avec les
gens et dans les choses_ counts for much, and _la fureur d'aimer_ for
more.
In spite of the general impression to the contrary, an impression
which by no means displeased him himself, I must contend that the
sensuality of Verlaine, brutal as it could sometimes be, was after
all simple rather than complicated, instinctive rather than perverse,
in the poetry of Baudelaire, with which the poetry of Verlaine is so
often compared, there is a deliberate science of sensual perversity
which has something almost monachal in its accentuation of vice with
horror, in its passionate devotion to passions. Baudelaire brings every
complication of taste, the exasperation of; perfumes, the irritant of
cruelty, the very odours and colours of corruption, to the creation and
adornment of a sort of religion, in which an eternal mass is served
before a veiled altar. There is no confession, no absolution, not a
prayer is permitted which is not set down in the ritual. With Verlaine,
however often love may pass into sensuality, to whatever length
sensuality may be hurried, sensuality is never more than the malady
of love. It is love desiring the absolute, seeking in vain, seeking
always, and, finally, out of the depths, finding God.
Verlaine's conversion took place while he was in prison, during those
solitary eighteen months in company with his thoughts, that enforced
physical inactivity, which could but concentrate his whole energy on
the only kind of sensation then within his capacity, the sensations of
the soul and of the conscience. With that promptitude of abandonment
which was his genius, he grasped feverishly at the succour of God and
the Church, he abased himself before the immaculate purity of the
Virgin. He had not, like others who have risen from the same depths to
the same height of humiliation, to despoil his nature of its pride, to
conquer his intellect, before he could become _l'enfant vêtu de laine
et d'innocence._ All that was simple, humble, childlike in him accepted
that humiliation with the loving child's joy in penitence; all that was
ardent, impulsive, indomitable in him burst at once into a flame of
adoration.
Public-domain text, read in full here on John Shaqi.
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