The Symbolist Movement in LiteratureSymons, Arthur
History
The Symbolist Movement in Literature
Symons, Arthur
French literature -- 19th century -- History and criticism; Symbolism (Literary movement) -- France
He realised the great secret of the Christian mystics: that it is
possible to love God with an extravagance of the whole being, to which
the love of the creature cannot attain. All love is an attempt to break
through the loneliness of individuality, to fuse oneself with something
not oneself, to give and to receive, in all the warmth of natural
desire, that inmost element which remains, so cold and so invincible,
in the midst of the soul. It is a desire of the infinite in humanity,
and, as humanity has its limits, it can but return sadly upon itself
when that limit is reached. Thus human love is not only an ecstasy but
a despair, and the more profound a despair the more ardently it is
returned.
But the love of God, considered only from its human aspect, contains at
least the illusion of infinity. To love God is to love the absolute,
so far as the mind of man can conceive the absolute, and thus, in a
sense, to love God is to possess the absolute, for love has already
possessed that which it apprehends. What the earthly lover realises to
himself as the image of his beloved is, after all, his own vision of
love, not her. God must remain _deus absconditus,_ even to love; but
the lover, incapable of possessing infinity, will have possessed all
of infinity of which he is capable. And his ecstasy will be flawless.
The human mind, meditating on infinity, can but discover perfection
beyond perfection; for it is impossible to conceive of limitation in
any aspect of that which has once been conceived as infinite. In place
of that deception which comes from the shock of a boundary-line beyond
which humanity cannot conceive of humanity, there is only a divine rage
against the limits of human perception, which by their own failure
seem at last to limit for us the infinite itself. For once, love finds
itself bounded only by its own capacity; so far does the love of God
exceed the love of the creature, and so far would it exceed that love
if God did not exist.
But if He does exist! if, outside humanity, a conscient, eternal
perfection, who has made the world in his image, loves the humanity He
has made, and demands love in return! If the spirit of his love is as
a breath over the world, suggesting, strengthening, the love which it
desires, seeking man that man may seek God, itself the impulse which it
humbles itself to accept at man's hands; if indeed,
Mon Dieu m'a dit: mon fils, il faut m'aimer;
how much more is this love of God, in its inconceivable acceptance
and exchange, the most divine, the only unending intoxication, in
the world! Well, it is this realised sense of communion, point by
point realised, and put into words, more simple, more human, more
instinctive than any poet since the mediæval mystics has found for the
delights of this intercourse, that we find in _Sagesse,_ and in the
other religious poems of Verlaine.
Public-domain text, read in full here on John Shaqi.
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