All this is beautiful and perfectly acceptable to both the East and the West. Not so the opening lines of the seventh chapter. The Revised Version modifies the original text. King James's Version gives the lines just as Oriental poetry past and present would render them. The rendering of the second verse by the Revised Version, "Thy body is like a round goblet," and, "Thy waist is like an heap of wheat," renders the words meaningless. However, the modesty of the revisers is to be commended. {354} Arabic poetry is full of such passages, which abound also in Syrian vernacular songs, which are sung with perfect propriety among all classes. In discussing such a subject as this one can hardly resist the temptation to judge. To me the more chaste way of the West in poetizing feminine charms is far superior to the altogether too free realism of the East, which I do not feel at all inclined to defend. Yet I would not be loyal to good conscience if I did not offer an explanation in behalf of the land of my birth. Ever since I began to read Arabic poetry, for which I developed great fondness, to the present day, I do not remember that its descriptions of feminine loveliness ever really suggested to me licentious thoughts. The general effect of such delineations upon me was of the same sort as that which the sketching of love scenes by a great novelist produces. Its charms were those of the poetic art, and not those of the seductive feelings of sordid passion. To us _'aroos esshi'ar_ (the bride, or spouse of the poet) is purely an imaginary creature. It is {355} the poet's spirit of inspiration objectified in a female form. He does not describe a woman, but an angelic creature whose body and soul are both pure. Only the very commonplace versifier gets demoralized and infects his reader with the same feeling. The true poet soars far above "the things that perish," and is perfectly safe to follow. His infatuation is known as _el howa el'adhry_ (pure, or aspirational love). Here, then, without the slightest attempt to excuse his phraseology, I find at least a partial justification for the Eastern poet, and for the writer of Solomon's Song. The simple, eloquent, and fully inclusive description of the "virtuous woman," in the thirty-first chapter of the Book of Proverbs, is rather a composite than an individual picture. It expresses the Syrian's noblest idea of the true wife and the real home-maker:-- Who can find a virtuous woman? for her price is far above rubies. The heart of her husband doth safely trust in her, so that he shall have no need for spoil. {356} She will do him good and not evil all the days of her life. She seeketh wool, and flax, and worketh willingly with her hands. She is like the merchant's ships; she bringeth her food from afar. She riseth also while it is yet night, and giveth meat to her household, and a portion to her maidens.