The illustrious Bacon has said, that "men fear death for the same reason that children dread being alone in darkness." Man naturally challenges every thing with which he is unacquainted; he is desirous to see clearly to the end, that he may guarantee himself against those objects which may menace his safety; that he may also be enabled to procure for himself those which may be useful to him; the man who exists cannot form to himself any idea of non-existence; as this circumstance disturbs him, for want of experience, his imagination sets to work; this points out to him, either well or ill, this uncertain state: accustomed to think, to feel, to be stimulated into activity, to enjoy society, he contemplates as the greatest misfortune, a dissolution that will strip him of these objects, that will deprive him of those sensations which his present nature has rendered necessary to him; he views with dismay a situation that will prevent his being warned of his own existence--that shall bereave him of his pleasures--to plunge him into nothing. In supposing it even exempt from pain, he always looks upon this nothing as an afflicting solitude--as an heap of profound darkness; he sees himself in a state of general desolation; destitute of all assistance; and he feels keenly all the rigour of this frightful situation. But does not a profound sleep help to give him a true idea of this nothing? Does not that deprive him of every thing? Does it not appear to annihilate the universe to him, and him to the universe? Is death any thing more than a profound, a permanent steep? It is for want of being able to form an idea of death that man dreads it; if he could figure to himself a true image of this state of annihilation, he would from thence cease to fear it; but he is not able to conceive a state in which there is no feeling; he therefore believes, that when he shall no longer exist, he will have the same feelings, the same consciousness of things, which, during his existence, appear so sad to his mind; which his fancy paints in such gloomy colours. Imagination pictures to him his funeral pomp--the grave they are digging for him--the lamentations that will accompany him to his last abode-the epicedium that surviving friendship may dictate; he persuades himself that these melancholy objects will affect him as painfully even after his decease, as they do in his present condition, in which he is in full possession of his senses.