The Tale of Chloe: An Episode in the History of Beau BeamishMeredith, George
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The Tale of Chloe: An Episode in the History of Beau Beamish
Meredith, George
English fiction -- 19th century
'Madam, you remind me of a tale of my infancy. I had a juvenile comrade
of the tenderest age, by name Tommy Plumston, and he enjoyed the
privilege of intimacy with a component urchin yclept Jimmy Clungeon, with
which adventurous roamer, in defiance of his mother's interdict against
his leaving the house for a minute during her absence from home, he
departed on a tour of the district, resulting, perhaps as a consequence
of its completeness, in this, that at a distance computed at four miles
from the maternal mansion, he perceived his beloved mama with sufficient
clearness to feel sure that she likewise had seen him. Tommy consulted
with Jimmy, and then he sprang forward on a run to his frowning mama, and
delivered himself in these artless words, which I repeat as they were
uttered, to give you the flavour of the innocent babe: he said, "I frink
I frought I hear you call me, ma! and Jimmy Clungeon, he frought he frink
so too!" So, you see, the pair of them were under the impression that
they were doing right. There is a delicate distinction in the tenses of
each frinking where the other frought, enough in itself to stamp
sincerity upon the statement.'
Caseldy said, 'The veracity of a boy possessing a friend named Clungeon
is beyond contest.'
Duchess Susan opened her eyes. 'Four miles from home! And what did his
mother do to him?'
'Tommy's mama,' said Mr. Beamish, and with the resplendent licence of the
period which continued still upon tolerable terms with nature under the
compromise of decorous 'Oh-fie!' flatly declared the thing she did.
'I fancy, sir, that I caught sight of your figure on the hill yonder
about an hour or so earlier,' said Caseldy to Mr. Camwell.
'If it was at the time when you were issuing from that wood, sir, your
surmise is correct,' said the young gentleman.
'You are long-sighted, sir!'
'I am, sir.'
'And so am I.'
'And I,' said Chloe.
'Our Chloe will distinguish you accurately at a mile, and has done it,'
observed Mr. Beamish.
'One guesses tiptoe on a suspicion, and if one is wrong it passes, and if
one is right it is a miracle,' she said, and raised her voice on a song
to quit the subject.
'Ay, ay, Chloe; so then you had a suspicion, you rogue, the day we had
the pleasure of meeting the duchess, had you?' Mr. Beamish persisted.
Duchess Susan interposed. 'Such a pretty song! and you to stop her,
sir!'
Caseldy took up the air.
'Oh, you two together!' she cried. 'I do love hearing music in the
fields; it is heavenly. Bands in the town and voices in the green
fields, I say! Couldn't you join Chloe, Mr .... Count, sir, before we
come among the people, here where it 's all so nice and still. Music!
and my heart does begin so to pit-a-pat. Do you sing, Mr. Alonzo?'
'Poorly,' the young gentleman replied.
'But the Count can sing, and Chloe's a real angel when she sings; and
won't you, dear?' she implored Chloe, to whom Caseldy addressed a prelude
with a bow and a flourish of the hand.
Public-domain text, read in full here on John Shaqi.
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