The Tale of Chloe: An Episode in the History of Beau BeamishMeredith, George
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The Tale of Chloe: An Episode in the History of Beau Beamish
Meredith, George
English fiction -- 19th century
Chloe had taken help of one of her bearers to jump out. She stretched a
finger at the unruly intruders, crying sternly, 'There is blood on you--
come not nigh me!' The loftiest harangue would not have been so cunning
to touch their wits. They stared at one another in the clear moonlight.
Which of them had blood on him? As they had not been for blood, but for
rough fun, and something to boast of next day, they gesticulated
according to the first instructions of the dancing master, by way of
gallantry, and were out of Caseldy's path when he placed himself at his
liege lady's service. 'Take no notice of them, dear,' she said.
'No, no,' said he; and 'What is it?' and his hoarse accent and shaking
clasp of her arm sickened her to the sensation of approaching death.
Upstairs Duchess Susan made a show of embracing her. Both were
trembling. The duchess ascribed her condition to those dreadful men.
'What makes them be at me so?' she said.
And Chloe said, 'Because you are beautiful.'
'Am I?'
'You are.'
'I am?'
'Very beautiful; young and beautiful; beautiful in the bud. You will
learn to excuse them, madam.'
'But, Chloe--' The duchess shut her mouth. Out of a languid reverie, she
sighed: 'I suppose I must be! My duke--oh, don't talk of him. Dear man!
he's in bed and fast asleep long before this. I wonder how he came to
let me come here.
I did bother him, I know. Am I very, very beautiful, Chloe, so that men
can't help themselves?'
'Very, madam.'
'There, good-night. I want to be in bed, and I can't kiss you because
you keep calling me madam, and freeze me to icicles; but I do love you,
Chloe.'
'I am sure you do.'
'I'm quite certain I do. I know I never mean harm. But how are we women
expected to behave, then? Oh, I'm unhappy, I am.'
'You must abstain from playing.'
'It's that! I've lost my money--I forgot. And I shall have to confess
it to my duke, though he warned me. Old men hold their fingers up--so!
One finger: and you never forget the sight of it, never. It's a round
finger, like the handle of a jug, and won't point at you when they're
lecturing, and the skin's like an old coat on gaffer's shoulders--or,
Chloe! just like, when you look at the nail, a rumpled counterpane up to
the face of a corpse. I declare, it's just like! I feel as if I didn't
a bit mind talking of corpses tonight. And my money's gone, and I don't
much mind. I'm a wild girl again, handsomer than when that----he is a
dear, kind, good old nobleman, with his funny old finger: "Susan!
Susan!" I'm no worse than others. Everybody plays here; everybody
superior. Why, you have played, Chloe.'
'Never!'
'I've heard you say you played once, and a bigger stake it was, you said,
than anybody ever did play.'
'Not money.'
'What then?'
'My life.'
Public-domain text, read in full here on John Shaqi.
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