The Tale of Chloe: An Episode in the History of Beau BeamishMeredith, George
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The Tale of Chloe: An Episode in the History of Beau Beamish
Meredith, George
English fiction -- 19th century
'With a blacker brand upon him every morning that he looks forth across
his property, and leaves her to languish! She still--I say it to the
redemption of our sex--has offers. Her incomparable attractions of mind
and person exercise the natural empire of beauty. But she will none of
them. I call her the Fair Suicide. She has died for love; and she is a
ghost, a good ghost, and a pleasing ghost, but an apparition, a taper.
The duke fidgeted, and expressed a hope to hear that she was not of
melancholy conversation; and again, that the subject of her discourse
was not confined to love and lovers, happy or unhappy. He wished his
duchess, he said, to be entertained upon gayer topics: love being a theme
he desired to reserve to himself. 'This month!' he said, prognostically
shaking and moaning. 'I would this month were over, and that we were
well purged of it.'
Mr. Beamish reassured him. The wit and sprightliness of Chloe were so
famous as to be considered medical, he affirmed; she was besieged for
her company; she composed and sang impromptu verses, she played harp and
harpsichord divinely, and touched the guitar, and danced, danced like the
silvery moon on the waters of the mill pool. He concluded by saying that
she was both humane and wise, humble-minded and amusing, virtuous yet not
a Tartar; the best of companions for her Grace the young duchess.
Moreover, he boldly engaged to carry the duchess through the term of her
visit under a name that should be as good as a masquerade for concealing
his Grace's, while giving her all the honours due to her rank.
'You strictly interpret my wishes,' said the duke; 'all honours, the
foremost place, and my wrath upon man or woman gainsaying them!'
'Mine! if you please, duke,' said Mr. Beamish.
'A thousand pardons! I leave it to you, cousin. I could not be in safer
hands. I am heartily bounders to you. Chloe, then. By the way, she has
a decent respect for age?'
'She is reverentially inclined.'
'Not that. She is, I would ask, no wanton prattler of the charms and
advantages of youth?'
'She has a young adorer that I have dubbed Alonzo, whom she scarce
notices.'
'Nothing could be better. Alonzo: h'm! A faithful swain?'
'Life is his tree, upon which unceasingly he carves his mistress's
initials.'
'She should not be too cruel. I recollect myself formerly: I was . . .
Young men will, when long slighted, transfer their affections, and be
warmer to the second flame than to the first. I put you on your guard.
He follows her much? These lovers' paintings and puffings in the
neighbourhood of the most innocent of women are contagious.'
'Her Grace will be running home all the sooner.'
Public-domain text, read in full here on John Shaqi.
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