The Tale of the Spinning WheelBuel, Elizabeth C. Barney (Elizabeth Cynthia Barney)
History
The Tale of the Spinning Wheel
Buel, Elizabeth C. Barney (Elizabeth Cynthia Barney)
Spinning
In New York City lives a family who are now developing these homely
industries to their full artistic limits. One of the most interesting
exhibits in the National Exposition of Children’s Work held in March,
1901, was a portière entirely hand-made by the young son and daughter
of Douglas Volk, the artist, in their city home. The wool was spun
and dyed by Marian Volk with vegetable dyes of her own making, and
the boy wove it on a genuine loom, one hundred years old, brought
from the heart of Maine. The room in which they spin and weave, with
its home-made rugs, antique chairs, and brass candlesticks, its
spinning-wheels, clock-reel, and loom, all in daily use, might be
taken for the “living-room” of an old Maine farmhouse. The artistic
possibilities of the old spinning and weaving were recognized a few
years ago by Mrs. Volk while living at Lovell, her summer home in
Maine, and she has successfully established there her new industry of
home rug-making, every process of which is marked with the sincerity of
hand-work—a noble handicraft indeed. Thus this time-honored occupation
still thrives in the East, while in the remote and mountainous regions
in the South, handweaving and spinning are still household arts—as also
in many foreign countries.
But here must end the tale of the spinning-wheel in many ages and
climes, though the tale is not half told. We have seen the centuries
bear witness to the dignity of woman’s manual labor, of which the
old dusty spinning-wheel is as glorious a symbol as are the tattered
battle-flags a token of the soldier’s hard-fought field. Patriotism,
self-devotion, sacrifice—all speak to us from the one and from the
other. Woman’s labor has supported the home, has filled the breach in
war-time, has clothed the world, and continues to do so to-day. For
though the spinning-wheel is mute, the sewing-machine and the factory
are not, and the “Song of the Shirt” goes on forever. The Daughters
of Liberty spun for their country in the days of ’76, and they have
lived again in every period of their country’s need—in the Sanitary
Commission, in the women’s Red Cross Auxiliaries, in the “Dames” and
“Daughters” of to-day. Let us thank God that we had such foremothers;
thank Him that they and the forefathers gave us a country of which
we may still be proud; thank Him that their spirit is still alive in
our midst, for as the uprising of that spirit drove the tyrant from
our shores in 1776, so it has ever since arisen, and still will rise
to deliver our country from the perils of the hour—the peril from the
greedy and corrupt politician, the perils of popular ignorance and
luke-warm patriotism, and all other perils consequent upon the loss
of our forefathers’ ideals. May this spirit never die, for the day of
its disappearance is the day of our country’s doom. It is the duty and
the privilege of our great Society to see that “old New England” never
fails us, for it is her spirit that has burned high in the breast of
Public-domain text, read in full here on John Shaqi.
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