The whole party now proceeded to Mr. Jervis’s establishment, where the remains of the famous mulberry tree were kept in stock. Mr. Erin was haunted by the notion that some Shakespearean fanatic might step in and buy the whole of it before he could secure some mementoes, whereas the birthplace in Henley Street could ‘wait;’ an idea at which, for the life of him, the proprietor of the sacred timber could not restrain a dry smile. It was the general opinion that enough tobacco stoppers, busts, and wafer seals had already been sold to account for a whole grove of mulberry trees. Mr. Erin was very energetic with his new acquaintance on the road, about precautions against fire (insurance against it was out of the question, of course), but when he had possessed himself of what he wanted, and the matter was again referred to as they came away, it was noticeable that he had not another word to say upon the side of prudence. ‘He declaimed against Mr. Williams’ rashness,’ whispered William Henry to Margaret; ‘but my belief is that he would now set fire to that timber yard without a scruple in order to render his purchases unique.’ Maggie held up her finger reprovingly, but her laughing eyes belied the gesture. Both these young people, indeed, had far too keen a sense of fun to be enthusiasts. To Mr. Hart the butcher (who at that time occupied the house in Henley Street), as an indirect descendant of the immortal bard, through his sister, Mr. Erin paid a deference that was almost servile. He examined his lineaments, in the hopes of detecting a likeness to the Chandos portrait, with a particularity that much abashed the object of his scrutiny, and even tried to get him to accompany him to the church, that he might compare his features with those of the bust of the bard in the chancel. But it was in the presence of the bust itself that Mr. Erin exhibited himself in the most characteristic fashion. Standing on what was to him more hallowed ground than any blessed by priests, and within a few feet of the ashes of his idol, he was nevertheless unable to restrain his indignation against the commentator Malone, through whose influence the coloured bust had recently been painted white. Instead of bursting into Shakespearean quotation, as it was his wont to do on much less provocation, he repeated with malicious gusto the epigram to which the act of vandalism in question had given birth:— Stranger, to whom this monument is shown, Invoke the poet’s curses on Malone, Whose meddling zeal his barbarous taste displays, And daubed his tombstone as he marred his plays. His rage, indeed, so rose at the spectacle, that for the present he protested that he found himself unable to pursue his investigations within the sacred edifice, and proposed that the party should start forthwith to visit Anne Hathaway’s cottage at Shottery.