To say that William Henry, the football between these two opposing
parties, enjoyed it, would be an exaggeration; he liked being in the
air—and indeed he was lauded by many persons to the very skies—but
did not so much relish the being knocked and trodden under foot below.
As a popular poet once remarked of the reviewers, ‘I like their
eulogies well enough, but d—n their criticisms,’ so the young man
would have preferred his notoriety to have been without this alloy; but
on the whole it pleased him vastly.
Margaret was almost angry with him for taking men’s hard words so
coolly, but comforted herself by reflecting that her Willie must have a
heavenly temper.
‘As for me,’ she would say, ‘I could scratch their eyes out. It drives
me wild to listen to what uncle sometimes reads aloud out of their
horrid pamphlets.’
To which the young fellow would gallantly reply, ‘To have such a
partisan, who would not compound for fifty such detractors? And, after
all, these good people have a right to their own opinions, though it
must be confessed they express them with some intemperance. I have
given them the “Lear“ manuscript, but I cannot give them the taste and
poetic feeling necessary to appreciate it.’
What of course had wounded Margaret was not their antagonistic
criticism, nor even their supercilious contempt, but the accusations
they had not scrupled to make against William Henry’s good faith. One
does not talk of the ‘poetic feeling’ of a hostile jury. But love
has as many causes of admiration as Burton in his ‘Anatomy’ finds
for melancholy; and the young fellow’s very carelessness about these
charges was, in Margaret’s eyes, a feather in his cap, and proved,
for one thing, their absolute want of foundation. If she did not
understand all the niceties of the points of difference between the
‘Lear’ manuscript and the ‘Lear’ as it was printed in her uncle’s
quarto edition of the play, it was not for want of instruction. There
was little else talked of in Norfolk Street, which was perhaps one of
the reasons which made the visits of Frank Dennis still more rare.
It was clear that the whole subject of the Shakespearean discoveries
was distasteful to him; and it must be confessed that he did not even
affect that interest in them which good breeding, and indeed good
nature, would have seemed to suggest. As to the comparative merits of
the old and new readings, or rather, as Mr. Erin maintained, of the
accepted and the original text, he had no opinion to offer one way or
the other. ‘I am no critic,’ he would say; ‘so that while my differing
from you might give you some annoyance, my agreement with you could
afford you no satisfaction’—a remark that did not by any means content
the antiquary.
Public-domain text, read in full here on John Shaqi.
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