We give you other Indian fables from the collection of Bidpai. La Fontaine in one of the prefaces to his French fables in verse expresses his gratitude to "Bilpay the Indian sage." These are the very manuscripts translated from the Sanskrit into Persian by the physician who took them back to his king. Sir William Jones says that "Bidpai" signifies "beloved physician" and that Bilpay is simply a mis-spelling of the word. As other scholars contended that Bidpai was not a man at all, but probably one of the two wise camels that did most of the talking in the earlier fables, you and I will not be able to settle the truth of the question. All these points are interesting, or, if they are not so to you, you must say, "Wake up!" to your mind. It is the eager spirit of inquiry that conquers difficulties and gains knowledge. In another preface I reminded you that in all the faery stories the youngest brother was the one who always said, "I wonder!" and he it was who triumphed over all the others. You are holding between these crimson covers fables from some of the oldest and most valuable books the world has ever known. The "Hitopadesa" was a very fountain of riches, as old as the hills themselves, precious and inexhaustible. In its innumerable translations it passed down the stream of time, and the fables known as Aesop's made their way among all races of people in the same marvellous way. No one knows whether Aesop--through the Assyrians with whom the Phrygians had commercial relations--borrowed his stories from the Orientals or whether they borrowed from him. One thing is certain, nothing persists so strongly and lives so long as a fable or folk tale. They migrate like the birds and make their way into every corner of the world where there are lips to speak and ears to hear. The reasons are, perhaps, because they are generally brief; because they are simple; because they are trenchant and witty; because they are fresh and captivating and have a bite to them like the tang of salt water; because they are strong and vital, and what is thoroughly alive in the beginning always lives longest. And, now we come to La Fontaine the French fabulist, who in 1668 published the first six books of his fables. "Bonhomme La Fontaine," as he was called, chose his subjects from Aesop and Phaedrus and Horace, and, in the later volumes, from such Oriental sources as may have been within his reach. He rendered the old tales in easy-flowing verse, full of elegance and charm, and he composed many original ones besides. La Bruyere says of him: "Unique in his way of writing, always original whether he invents or translates, he surpasses his models and is himself a model difficult to imitate. . . . He instructs while he sports, persuades men to virtue by means of beasts, and exalts trifling subjects to the sublime." Voltaire asserts: "I believe that of all authors La Fontaine is the most universally read. He is for all minds and all ages."