English fiction -- 19th century; Short stories, English
It is a little singular that, upon an engagement becoming known and
being discussed by the friends and acquaintances of the persons
principally concerned, by far the most usual tone of comment should be a
sorrowing wonder. That particular alliance is generally the very last
that anybody ever expected. 'What made him choose _her_, of all people,'
and 'What on earth she could see in _him_,' are declared insoluble
problems. It is confidently predicted that the engagement will never
come to anything, or that, if such a marriage ever does take place, it
is most unlikely to prove a success.
Sometimes, in the case of female friends, this tone is even perceptible
under their warmest felicitations, and through the smiling mask of
compliment shine eyes moist with the most irritating quality of
compassion. 'So glad! so delighted! But why, _why_ didn't you consult
_me_?'--this complicated expression might be rendered: 'I could have
saved you from this--I _was_ so pleased to hear of it!'
And yet, in the majority of cases, these unions are not found to turn
out so very badly after all, and the misguided couple seem really to
have gauged their own hearts and their possibilities of happiness
together more accurately than the most clear-sighted of their
acquaintances.
The announcement that Ella Hylton had accepted George Chapman provoked
the customary sensation and surprise in their respective sets, and
perhaps with rather more justification than usual.
Miss Hylton had undeniable beauty of a spiritual and rather _exalte_
type, and was generally understood to be highly cultivated. She had
spent a year at Somerville, though she had gone down without trying for
a place in either 'Mods.' or 'Greats,' thereby preserving, if not
increasing, her reputation for superiority. She had lived all her life
among cultured people; she was devoted to music and regularly attended
the Richter Concerts, though she could seldom be induced to play in
public; she had a feeling for art, though she neither painted nor drew;
a love of literature strong enough to deter her from all amateur efforts
in that direction. In art, music and literature she was impatient of
mediocrity; and, while she was as fond as most girls of the pleasures
which upper middle-class society can offer, she reverenced intellect,
and preferred the conversation of the plainest celebrity to the
platitudes of the mere dancing-man, no matter how handsome of feature
and perfect of step he might be.
Public-domain text, read in full here on John Shaqi.
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