English fiction -- 19th century; Short stories, English
I don't think I have mentioned that, besides being exquisitely lovely,
Diana was an heiress, and it was not without a sense of my own
presumption that I allowed myself to entertain the hope of winning her
at some future day. Still, I was not absolutely penniless, and she was
her own mistress, and I had some cause, as I have said, for believing
that she was, at least, not ill-disposed towards me. It seemed a
favourable sign, for instance, when she asked me one day why it was I
never rode. I replied that I had not ridden for years--though I did not
add that the exact number of those years was twenty-eight.
'Oh, but you must take it up again!' she said, with the prettiest air of
imperiousness. 'You ought to ride in the Row next season.'
'If I did,' I said, 'would you let me ride with you sometimes?'
'We should meet, of course,' she said; 'and it is such a pity not to
keep up your riding--you lose so much by not doing so.'
Was I wrong in taking this as an intimation that, by following her
advice, I should not lose my reward? If you had seen her face as she
spoke, you would have thought as I did then--as I do now.
And so, with this incentive, I overcame any private misgivings, and soon
after my return to town attended a fashionable riding-school near Hyde
Park, with the fixed determination to acquire the whole art and mystery
of horsemanship.
That I found learning a pleasure I cannot conscientiously declare. I
have passed happier hours than those I spent in cantering round four
bare whitewashed walls on a snorting horse, with my interdicted stirrups
crossed upon the saddle. The riding-master informed me from time to time
that I was getting on, and I knew instinctively when I was coming off;
but I must have made some progress, for my instructor became more
encouraging. 'Why, when you come here first, Mr. Pulvertoft, sir, you
were like a pair o' tongs on a wall, as they say; whereas now--well, you
can tell yourself how you are,' he would say; though, even then, I
occasionally had reason to regret that I was _not_ on a wall. However, I
persevered, inspired by the thought that each fresh horse I crossed (and
some were very fresh indeed) represented one more barrier surmounted
between myself and Diana, and encouraged by the discovery, after
repeated experiments, that tan was rather soothing to fall upon than
otherwise.
When I walked in the Row, where a few horsemen were performing as
harbingers of spring, I criticised their riding, which I thought
indifferent, as they neglected nearly all the rules. I began to
anticipate a day when I should exhibit a purer and more classic style of
equestrianism. And one morning I saw Diana, who pulled up her dancing
mare to ask me if I had remembered her advice, and I felt proudly able
to reply that I should certainly make my appearance in the Row before
very long.
Public-domain text, read in full here on John Shaqi.
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