The Tallants of Barton, vol. 3 (of 3) : $b A tale of fortune and financeHatton, Joseph
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The Tallants of Barton, vol. 3 (of 3) : $b A tale of fortune and finance
Hatton, Joseph
English fiction -- 19th century
He little knew how often he was accompanied after this by a shadow
more than his own. Once or twice, thinking he was being watched,
he had turned round suddenly in the London streets to see a figure
disappear as suddenly in some dark entry, or round an adjacent corner.
He thought this was fancy at first; but finally beginning to fear,
he armed himself. He had never thought of Shuffleton Gibbs at these
times. A superstitious dread took possession of him at the outset,
thoughts of his dead father haunted him, and occasionally sent him home
hot, and feverish, and nervous. Latterly he rarely went out on foot;
but still a mysterious figure occasionally flitted by as he alighted
from his carriage. Sometimes it seemed as if an arm were upraised.
That same figure would stand now and then in front of the great house
where Mr. Tallant resided, and contemplate the lighted windows, and
then disappear by crooked unfrequented ways, up dark alleys, along
neglected streets, away city-wards, until it entered a dirty gin-shop
or some wretched lodging-house, where it would assume the appearance
of Shuffleton Gibbs, but sufficiently changed in feature to render
disguise unnecessary.
Weird, restless, sunken eyes, sharp features, a nervous twitching of
the mouth, and a continual watchfulness, like that of a man charged
with some desperate mission of blood; it was a miserable wreck tossed
about on the dark sea of criminal London without sail or rudder, bound
for no port, without a name, without papers; and yet with a compass
pointing its trembling finger unerringly in one direction, where the
signal lights burnt red and murky on a dark and dreadful shore.
CHAPTER IX.
GLANCES AT WILLIAMSON’S STORY, AND TERMINATES
PAUL SOMERTON’S ADVENTURE.
It came at last, that story of Williamson’s life; it came in a heavy
letter franked with foreign postage-stamps; and Paul Somerton read it
with hot curiosity.
There was nothing particularly new or startling in the narration. It
was the old old story of sin and sorrow, with perhaps darker hues of
melancholy in it, here and there, than usual.
Public-domain text, read in full here on John Shaqi.
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