Dawson was deliberate, but not slow-witted. While the abandoned engine
was, as yet, only gathering speed for the eastward dash, he was dodging
the straggling rioters in the yard, racing purposefully for the only
available locomotive, ready and headed to chase the runaway--namely, the
big eight-wheeler coupled to the president's car. He set the switch to
the main line as he passed it, but there was no time to uncouple the
engine from the private car, even if he had been willing to leave the
woman he loved, and those with her, helpless in the midst of the
rioting.
So there was no more than a gasped-out word to Williams as he climbed to
the cab before the eight-wheeler, with the _Nadia_ in tow, shot away
from the Crow's Nest platform. And it was not until the car was
growling angrily over the yard-limit switches that Van Lew burst into
the central compartment like a man demented, to demand excitedly of the
three women who were clinging, terror-stricken, to Judge Holcombe:
"Who has seen Miss Eleanor? Where is Miss Eleanor?"
XXIII
THE CRUCIBLE
Only Miss Brewster herself could have answered the question of her
whereabouts at the exact moment of Van Lew's asking. She was left
behind, standing aghast in the midst of tumults, on the platform of the
Crow's Nest. Terrified, like the others, at the sudden outburst of
violence, she had ventured from the car to look for Lidgerwood's
messenger, and in the moment of frightened bewilderment the _Nadia_ had
been whisked away.
Naturally, her first impulse was to fly, and the only refuge that
offered was the superintendent's office on the second floor. The
stairway door was only a little distance down the platform, and she was
presently groping her way up the stair, praying that she might not find
the offices as dark and deserted as the lower story of the building
seemed to be.
The light of the shop-yard fire, and that of the burning box-car nearer
at hand, shone redly through the upper corridor windows, enabling her
to go directly to the open door of the superintendent's office. But when
she reached the door and looked within, the trembling terror returned
and held her spell-bound, speechless, unable to move or even to cry out.
What she saw fitted itself to nothing real; it was more like a scene
clipped from a play. Two masked men were covering with revolvers a
third, who was tied helpless in a chair. The captive's face was ghastly
and blood-stained, and at first she thought he was dead. Then she saw
his lips move in curious twitchings that showed his teeth. He seemed to
be trying to speak, but the ruffian at his right would not give him
leave.
"This is where you pass out, Mr. Lidgerwood," the man was saying
threateningly. "You give us your word that you will resign and leave the
Red Butte Western for keeps, or you'll sit in that chair till somebody
comes to take you out and bury you."
Public-domain text, read in full here on John Shaqi.
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