The twitching lips were controlled with what appeared to be an almost
superhuman effort, but the words came jerkily.
"What would my word, extorted--under such conditions--be worth to you?"
Eleanor could hear, in spite of the terror that would not let her cry
out or run for help. He was yielding to them, bargaining for his life!
"We'll take it," said the spokesman coolly. "If you break faith with us
there are more than two of us who will see to it that you don't live
long enough to brag about it. You've had your day, and you've got to
go."
"And if I refuse?" Eleanor made sure that the voice was steadier now.
"It's this, here and now," grated the taller man who had hitherto kept
silence, and he cocked his revolver and jammed the muzzle of it against
the bleeding temple of the man in the chair.
The captive straightened himself as well as his bonds would let him.
"You--you've let the psychological moment go by, gentlemen: I--I've got
my second wind. You may burn and destroy and shoot as you please, but
while I'm alive I'll stay with you. Blaze away, if that's what you want
to do."
The horror-stricken watcher at the door covered her face with her hands
to shut out the sight of the murder. It was not until Lidgerwood's
voice, calm and even-toned and taunting, broke the silence that she
ventured to look again.
[Illustration: "Well, gentlemen, I'm waiting. Why don't you shoot?"]
"Well, gentlemen, I'm waiting. Why don't you shoot? You are greater
cowards than I have ever been, with all my shiverings and
teeth-chatterings. Isn't the stake big enough to warrant your last
desperate play? I'll make it bigger. You are the two men who broke the
rail-joint at Silver Switch. Ah, that hits you, doesn't it?"
"Shut up!" growled the tall man, with a frightful imprecation. But the
smaller of the two was silent.
Lidgerwood's grin was ghastly, but it was nevertheless a teeth-baring of
defiance.
"You curs!" he scoffed. "You haven't even the courage of your own
necessities! Why don't you pluck up the nerve to shoot, and be done with
it? I'll make it still more binding upon you: if you don't kill me now,
while you have the chance, as God is my witness I'll hang you both for
those murders last night at Silver Switch. I know you, in spite of your
flimsy disguise: _I can call you both by name_!"
Out in the yard the yellings and shoutings had taken on a new note, and
the windows of the upper room were jarring with the thunder of incoming
trains. Eleanor Brewster heard the new sounds vaguely: the jangle and
clank of the trains, the quick, steady tramp of disciplined men,
snapped-out words of command, the sudden cessation of the riot clamor,
and now a shuffling of feet on the stairway behind her.
Public-domain text, read in full here on John Shaqi.
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