Comedy plays; Man-woman relationships -- Drama; Married people -- Drama; Padua (Italy) -- Drama; Sex role -- Drama
GREMIO.
First, as you know, my house within the city
Is richly furnished with plate and gold:
Basins and ewers to lave her dainty hands;
My hangings all of Tyrian tapestry;
In ivory coffers I have stuff’d my crowns;
In cypress chests my arras counterpoints,
Costly apparel, tents, and canopies,
Fine linen, Turkey cushions boss’d with pearl,
Valance of Venice gold in needlework;
Pewter and brass, and all things that belong
To house or housekeeping: then, at my farm
I have a hundred milch-kine to the pail,
Six score fat oxen standing in my stalls,
And all things answerable to this portion.
Myself am struck in years, I must confess;
And if I die tomorrow this is hers,
If whilst I live she will be only mine.
TRANIO.
That ‘only’ came well in. Sir, list to me:
I am my father’s heir and only son;
If I may have your daughter to my wife,
I’ll leave her houses three or four as good
Within rich Pisa’s walls as anyone
Old Signior Gremio has in Padua;
Besides two thousand ducats by the year
Of fruitful land, all which shall be her jointure.
What, have I pinch’d you, Signior Gremio?
GREMIO.
Two thousand ducats by the year of land!
My land amounts not to so much in all:
That she shall have, besides an argosy
That now is lying in Marseilles’ road.
What, have I chok’d you with an argosy?
TRANIO.
Gremio, ’tis known my father hath no less
Than three great argosies, besides two galliasses,
And twelve tight galleys; these I will assure her,
And twice as much, whate’er thou offer’st next.
GREMIO.
Nay, I have offer’d all; I have no more;
And she can have no more than all I have;
If you like me, she shall have me and mine.
TRANIO.
Why, then the maid is mine from all the world,
By your firm promise; Gremio is out-vied.
BAPTISTA.
I must confess your offer is the best;
And let your father make her the assurance,
She is your own; else, you must pardon me;
If you should die before him, where’s her dower?
TRANIO.
That’s but a cavil; he is old, I young.
GREMIO.
And may not young men die as well as old?
BAPTISTA.
Well, gentlemen,
I am thus resolv’d. On Sunday next, you know,
My daughter Katherine is to be married;
Now, on the Sunday following, shall Bianca
Be bride to you, if you make this assurance;
If not, to Signior Gremio.
And so I take my leave, and thank you both.
GREMIO.
Adieu, good neighbour.
[_Exit Baptista._]
Now, I fear thee not:
Sirrah young gamester, your father were a fool
To give thee all, and in his waning age
Set foot under thy table. Tut! a toy!
An old Italian fox is not so kind, my boy.
[_Exit._]
TRANIO.
A vengeance on your crafty wither’d hide!
Yet I have fac’d it with a card of ten.
’Tis in my head to do my master good:
I see no reason but suppos’d Lucentio
Must get a father, call’d suppos’d Vincentio;
And that’s a wonder: fathers commonly
Do get their children; but in this case of wooing
A child shall get a sire, if I fail not of my cunning.
[_Exit._]
ACT III
SCENE I. Padua. A room in Baptista’s house.
Public-domain text, read in full here on John Shaqi.
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