Comedy plays; Man-woman relationships -- Drama; Married people -- Drama; Padua (Italy) -- Drama; Sex role -- Drama
GRUMIO.
Am I but three inches? Why, thy horn is a foot; and so long am I at the
least. But wilt thou make a fire, or shall I complain on thee to our
mistress, whose hand,—she being now at hand,— thou shalt soon feel, to
thy cold comfort, for being slow in thy hot office?
CURTIS.
I prithee, good Grumio, tell me, how goes the world?
GRUMIO.
A cold world, Curtis, in every office but thine; and therefore fire. Do
thy duty, and have thy duty, for my master and mistress are almost
frozen to death.
CURTIS.
There’s fire ready; and therefore, good Grumio, the news.
GRUMIO.
Why, ‘Jack boy! ho, boy!’ and as much news as wilt thou.
CURTIS.
Come, you are so full of cony-catching.
GRUMIO.
Why, therefore, fire; for I have caught extreme cold. Where’s the cook?
Is supper ready, the house trimmed, rushes strewed, cobwebs swept, the
servingmen in their new fustian, their white stockings, and every
officer his wedding-garment on? Be the Jacks fair within, the Jills
fair without, and carpets laid, and everything in order?
CURTIS.
All ready; and therefore, I pray thee, news.
GRUMIO.
First, know my horse is tired; my master and mistress fallen out.
CURTIS.
How?
GRUMIO.
Out of their saddles into the dirt; and thereby hangs a tale.
CURTIS.
Let’s ha’t, good Grumio.
GRUMIO.
Lend thine ear.
CURTIS.
Here.
GRUMIO.
[_Striking him._] There.
CURTIS.
This ’tis to feel a tale, not to hear a tale.
GRUMIO.
And therefore ’tis called a sensible tale; and this cuff was but to
knock at your ear and beseech listening. Now I begin: _Imprimis_, we
came down a foul hill, my master riding behind my mistress,—
CURTIS.
Both of one horse?
GRUMIO.
What’s that to thee?
CURTIS.
Why, a horse.
GRUMIO.
Tell thou the tale: but hadst thou not crossed me, thou shouldst have
heard how her horse fell, and she under her horse; thou shouldst have
heard in how miry a place, how she was bemoiled; how he left her with
the horse upon her; how he beat me because her horse stumbled; how she
waded through the dirt to pluck him off me: how he swore; how she
prayed, that never prayed before; how I cried; how the horses ran away;
how her bridle was burst; how I lost my crupper; with many things of
worthy memory, which now shall die in oblivion, and thou return
unexperienced to thy grave.
CURTIS.
By this reckoning he is more shrew than she.
GRUMIO.
Ay; and that thou and the proudest of you all shall find when he comes
home. But what talk I of this? Call forth Nathaniel, Joseph, Nicholas,
Philip, Walter, Sugarsop, and the rest; let their heads be sleekly
combed, their blue coats brush’d and their garters of an indifferent
knit; let them curtsy with their left legs, and not presume to touch a
hair of my master’s horse-tail till they kiss their hands. Are they all
ready?
CURTIS.
They are.
GRUMIO.
Call them forth.
CURTIS.
Do you hear? ho! You must meet my master to countenance my mistress.
GRUMIO.
Why, she hath a face of her own.
CURTIS.
Who knows not that?
Public-domain text, read in full here on John Shaqi.
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