Comedy plays; Man-woman relationships -- Drama; Married people -- Drama; Padua (Italy) -- Drama; Sex role -- Drama
Here comes the rogue. Sirrah, where have you been?
BIONDELLO. Where have I been! Nay, how now! where are you?
Master, has my fellow Tranio stol'n your clothes?
Or you stol'n his? or both? Pray, what's the news?
LUCENTIO. Sirrah, come hither; 'tis no time to jest,
And therefore frame your manners to the time.
Your fellow Tranio here, to save my life,
Puts my apparel and my count'nance on,
And I for my escape have put on his;
For in a quarrel since I came ashore
I kill'd a man, and fear I was descried.
Wait you on him, I charge you, as becomes,
While I make way from hence to save my life.
You understand me?
BIONDELLO. I, sir? Ne'er a whit.
LUCENTIO. And not a jot of Tranio in your mouth:
Tranio is chang'd into Lucentio.
BIONDELLO. The better for him; would I were so too!
TRANIO. So could I, faith, boy, to have the next wish after,
That Lucentio indeed had Baptista's youngest daughter.
But, sirrah, not for my sake but your master's, I advise
You use your manners discreetly in all kind of companies.
When I am alone, why, then I am Tranio;
But in all places else your master Lucentio.
LUCENTIO. Tranio, let's go.
One thing more rests, that thyself execute-
To make one among these wooers. If thou ask me why-
Sufficeth, my reasons are both good and weighty. Exeunt.
The Presenters above speak
FIRST SERVANT. My lord, you nod; you do not mind the play.
SLY. Yes, by Saint Anne do I. A good matter, surely; comes
there
any more of it?
PAGE. My lord, 'tis but begun.
SLY. 'Tis a very excellent piece of work, madam lady
Would 'twere done! [They sit and mark]
SCENE II.
Padua. Before HORTENSIO'S house
Enter PETRUCHIO and his man GRUMIO
PETRUCHIO. Verona, for a while I take my leave,
To see my friends in Padua; but of all
My best beloved and approved friend,
Hortensio; and I trow this is his house.
Here, sirrah Grumio, knock, I say.
GRUMIO. Knock, sir! Whom should I knock?
Is there any man has rebus'd your worship?
PETRUCHIO. Villain, I say, knock me here soundly.
GRUMIO. Knock you here, sir? Why, sir, what am I, sir, that I
should knock you here, sir?
PETRUCHIO. Villain, I say, knock me at this gate,
And rap me well, or I'll knock your knave's pate.
GRUMIO. My master is grown quarrelsome. I should knock you
first,
And then I know after who comes by the worst.
PETRUCHIO. Will it not be?
Faith, sirrah, an you'll not knock I'll ring it;
I'll try how you can sol-fa, and sing it.
[He wrings him by the ears]
GRUMIO. Help, masters, help! My master is mad.
PETRUCHIO. Now knock when I bid you, sirrah villain!
Enter HORTENSIO
Public-domain text, read in full here on John Shaqi.
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