Comedy plays; Man-woman relationships -- Drama; Married people -- Drama; Padua (Italy) -- Drama; Sex role -- Drama
Think you a little din can daunt mine ears?
Have I not in my time heard lions roar?
Have I not heard the sea, puff'd up with winds,
Rage like an angry boar chafed with sweat?
Have I not heard great ordnance in the field,
And heaven's artillery thunder in the skies?
Have I not in a pitched battle heard
Loud 'larums, neighing steeds, and trumpets' clang?
And do you tell me of a woman's tongue,
That gives not half so great a blow to hear
As will a chestnut in a farmer's fire?
Tush! tush! fear boys with bugs.
GRUMIO. For he fears none.
GREMIO. Hortensio, hark:
This gentleman is happily arriv'd,
My mind presumes, for his own good and ours.
HORTENSIO. I promis'd we would be contributors
And bear his charge of wooing, whatsoe'er.
GREMIO. And so we will- provided that he win her.
GRUMIO. I would I were as sure of a good dinner.
Enter TRANIO, bravely apparelled as LUCENTIO, and BIONDELLO
TRANIO. Gentlemen, God save you! If I may be bold,
Tell me, I beseech you, which is the readiest way
To the house of Signior Baptista Minola?
BIONDELLO. He that has the two fair daughters; is't he you
mean?
TRANIO. Even he, Biondello.
GREMIO. Hark you, sir, you mean not her to-
TRANIO. Perhaps him and her, sir; what have you to do?
PETRUCHIO. Not her that chides, sir, at any hand, I pray.
TRANIO. I love no chiders, sir. Biondello, let's away.
LUCENTIO. [Aside] Well begun, Tranio.
HORTENSIO. Sir, a word ere you go.
Are you a suitor to the maid you talk of, yea or no?
TRANIO. And if I be, sir, is it any offence?
GREMIO. No; if without more words you will get you hence.
TRANIO. Why, sir, I pray, are not the streets as free
For me as for you?
GREMIO. But so is not she.
Public-domain text, read in full here on John Shaqi.
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