Comedy plays; Man-woman relationships -- Drama; Married people -- Drama; Padua (Italy) -- Drama; Sex role -- Drama
The quaint musician, amorous Licio-
All for my master's sake, Lucentio.
Re-enter GREMIO
Signior Gremio, came you from the church?
GREMIO. As willingly as e'er I came from school.
TRANIO. And is the bride and bridegroom coming home?
GREMIO. A bridegroom, say you? 'Tis a groom indeed,
A grumbling groom, and that the girl shall find.
TRANIO. Curster than she? Why, 'tis impossible.
GREMIO. Why, he's a devil, a devil, a very fiend.
TRANIO. Why, she's a devil, a devil, the devil's dam.
GREMIO. Tut, she's a lamb, a dove, a fool, to him!
I'll tell you, Sir Lucentio: when the priest
Should ask if Katherine should be his wife,
'Ay, by gogs-wouns' quoth he, and swore so loud
That, all amaz'd, the priest let fall the book;
And as he stoop'd again to take it up,
This mad-brain'd bridegroom took him such a cuff
That down fell priest and book, and book and priest.
'Now take them up,' quoth he 'if any list.'
TRANIO. What said the wench, when he rose again?
GREMIO. Trembled and shook, for why he stamp'd and swore
As if the vicar meant to cozen him.
But after many ceremonies done
He calls for wine: 'A health!' quoth he, as if
He had been abroad, carousing to his mates
After a storm; quaff'd off the muscadel,
And threw the sops all in the sexton's face,
Having no other reason
But that his beard grew thin and hungerly
And seem'd to ask him sops as he was drinking.
This done, he took the bride about the neck,
And kiss'd her lips with such a clamorous smack
That at the parting all the church did echo.
And I, seeing this, came thence for very shame;
And after me, I know, the rout is coming.
Such a mad marriage never was before.
Hark, hark! I hear the minstrels play. [Music plays]
Enter PETRUCHIO, KATHERINA, BIANCA, BAPTISTA, HORTENSIO,
GRUMIO, and train
Public-domain text, read in full here on John Shaqi.
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