Comedy plays; Man-woman relationships -- Drama; Married people -- Drama; Padua (Italy) -- Drama; Sex role -- Drama
Exit BIONDELLO
Signior Baptista, shall I lead the way?
Welcome! One mess is like to be your cheer;
Come, sir; we will better it in Pisa.
BAPTISTA. I follow you. Exeunt
Re-enter LUCENTIO as CAMBIO, and BIONDELLO
BIONDELLO. Cambio.
LUCENTIO. What say'st thou, Biondello?
BIONDELLO. You saw my master wink and laugh upon you?
LUCENTIO. Biondello, what of that?
BIONDELLO. Faith, nothing; but has left me here behind to
expound
the meaning or moral of his signs and tokens.
LUCENTIO. I pray thee moralize them.
BIONDELLO. Then thus: Baptista is safe, talking with the
deceiving
father of a deceitful son.
LUCENTIO. And what of him?
BIONDELLO. His daughter is to be brought by you to the supper.
LUCENTIO. And then?
BIONDELLO. The old priest at Saint Luke's church is at your
command
at all hours.
LUCENTIO. And what of all this?
BIONDELLO. I cannot tell, except they are busied about a
counterfeit assurance. Take your assurance of her, cum
privilegio
ad imprimendum solum; to th' church take the priest, clerk,
and
some sufficient honest witnesses.
If this be not that you look for, I have more to say,
But bid Bianca farewell for ever and a day.
LUCENTIO. Hear'st thou, Biondello?
BIONDELLO. I cannot tarry. I knew a wench married in an
afternoon
as she went to the garden for parsley to stuff a rabbit; and
so
may you, sir; and so adieu, sir. My master hath appointed me
to
go to Saint Luke's to bid the priest be ready to come against
you
come with your appendix.
Exit
LUCENTIO. I may and will, if she be so contented.
She will be pleas'd; then wherefore should I doubt?
Hap what hap may, I'll roundly go about her;
It shall go hard if Cambio go without her. Exit
SCENE V.
A public road
Enter PETRUCHIO, KATHERINA, HORTENSIO, and SERVANTS
Public-domain text, read in full here on John Shaqi.
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