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THE
TAPESTRY
BOOK
BY
HELEN CHURCHILL CANDEE
AUTHOR OF "DECORATIVE STYLES AND PERIODS"
_WITH FOUR PLATES IN COLOUR AND NINETY-NINE
ILLUSTRATIONS IN BLACK-AND-WHITE_
NEW YORK
FREDERICK A. STOKES COMPANY
MCMXII
[Illustration: HERSE AND MERCURY
Renaissance Brussels Tapestry, Italian Cartoon. W. de Pannemaker,
weaver.
Collection of George Blumenthal, Esq., New York]
_Copyright, 1912,
by_ FREDERICK A. STOKES COMPANY
_All rights reserved, including that of translation into foreign
languages, including the Scandinavian_
_October, 1912_
TO
TWO CERTAIN BYZANTINE MADONNAS
AND THEIR OWNERS
AN ACKNOWLEDGMENT
Modesty so dominates the staff in art museums that I am requested not
to make mention of those officers who have helped me with friendly
courtesy and efficiency. To the officers and assistants at the
Metropolitan Museum of Art in New York, the Art Institute of Chicago,
the Museum of Fine Arts in Boston, and the Print Department in the
Library of Congress in Washington, indebtedness is here publicly
acknowledged with the regret that I may not speak of individuals.
Photographs of tapestries are credited to Messrs. A. Giraudon, Paris;
J. Laurent, Madrid; Alinari, Florence; Wm. Baumgarten, and Albert
Herter, New York, and to those private collectors whose names are
mentioned on the plates.
H. C. C.
CONTENTS
CHAPTER PAGE
I A FOREWORD 1
II ANTIQUITY 15
III MODERN AWAKENING 25
IV FRANCE AND FLANDERS, 15TH CENTURY 32
V HIGH GOTHIC 51
VI RENAISSANCE INFLUENCE 64
VII RENAISSANCE TO RUBENS 72
VIII ITALY, 15TH THROUGH 17TH CENTURIES 81
IX FRANCE 90
X THE GOBELINS FACTORY 105
XI THE GOBELINS FACTORY (_Continued_) 117
XII THE GOBELINS FACTORY (_Continued_) 126
XIII THE GOBELINS FACTORY (_Continued_) 135
XIV BEAUVAIS 145
XV AUBUSSON 154
XVI SAVONNERIE 159
XVII MORTLAKE 163
XVIII IDENTIFICATIONS 172
XIX IDENTIFICATIONS (_Continued_) 186
Public-domain text, read in full here on John Shaqi.
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