In the private collection of Martin A. Ryerson, Esq., of Chicago, are
three examples of great perfection. They belonged to the celebrated
art collection of Baron Spitzer, which fact, apart from their beauty,
gives them renown. The first of these (plate facing page 60) is an
appearance of Christ to the Magdalen after the Entombment, and is
Flemish work of late in the Fifteenth Century. It is woven in silk and
gold with infinite skill. With exquisite patience the weaver has
brought out the crowded detail in the distance; indeed, it is this
background, stretching away to the far sky, past the Tomb, beyond
towns and plains of fruited trees to yet more cities set on a hill,
that constitutes the greatest charm of the picture, and which must
have brought hours of happy toil to the inspired weaver.
The second tapestry of Mr. Ryerson's three pieces is also Flemish of
the late Fifteenth Century. (Plate facing page 61.) This small group
of the Holy Family shows at its best the conscientious work of the
time, a time wherein man regarded labour as a means of worshipping his
God. The subject is treated by both artist and weaver with that loving
care which approaches religion. The holy three are all engaged in
holding bunches of grapes, while the Child symbolically spills their
juice into a chalice. Other symbols are found in the book and the
cross-surmounted globe. A background of flat drapery throws into
beautiful relief the inspired faces of the group. Behind this
stretches the miniature landscape, but the foreground is unfretted by
detail, abounding in the repose of the simple surfaces of the garments
of Mother and Child. By a subtle trick of line, St. Joseph is
separated from the holier pair. The border is the familiar
well-balanced Gothic composition of flower, fruit, and leaf, all
placed as though by the hand of Nature. The materials used are silk
and gold, but one might well add that the soul of the weaver also
entered into the fabric.
[Illustration: FLEMISH TAPESTRY, END OF FIFTEENTH CENTURY
Collection of Martin A. Ryerson, Esq., Chicago. Formerly in the
Spitzer Collection]
[Illustration: THE HOLY FAMILY
Flemish Tapestry, end of Fifteenth Century. Collection of Martin
A. Ryerson, Esq., Chicago. Formerly in the Spitzer Collection]
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