It would be premature to attempt to define the exact outline of the new forms of romantic love, or the precise lineaments of the beings who will most ardently evoke that love. In literature, indeed, the ideals of life cast their shadow before, and we may surely trace a change in the erotic ideals mirrored in literature. The woman whom Dickens idealized in _David Copperfield_ is unlike indeed to the series of women of a new type introduced by George Meredith, and the modern heroine generally exhibits more of the robust, open-eyed and spontaneous qualities of that later type than the blind and clinging nature of the amiable simpletons of the older type. That the changed conditions of civilization should produce new types of womanhood and of love is not surprising, if we realize that, even within the ancient chivalrous forms it was possible to produce similar robust types when the qualities of a race were favourable to them. Spain furnishes a notable illustration. Spanish literature from Cervantes and Tirso to Valera and Blasco Ibanez reflects a type of woman who stands on the same ground as man and is his equal and often his superior on that ground, alike in vigour of body and of spirit, acquiring all that she cares to of virility, while losing nothing feminine that is of worth.[87] In more than one respect the ideal woman of Spain is the ideal woman our civilization now renders necessary. The women of the future, Grete Meisel-Hess declares in her femininely clever and frank discussion of present-day conditions, _Die Sexuelle Krise_, will be full, strong, elementary natures, devoid alike of the impulse to destroy or the aptitude to be destroyed. She considers, moreover, that so far from romantic love being a thing of the past, "love as a form of worship is reserved for the future."[88] In the past it has only been found among a few rare souls; in the future world, fostered by the finer selection of a conscious eugenics, and a new reverence and care for motherhood, we may reasonably hope for a truly efficient humanity, the bearers and conservers of the highest human emotions. It is in this sense, indeed, that the voices of the greatest and most typical leaders of the woman's movement of emancipation to-day are heard. Ellen Key, in her _Love and Marriage_, seeks to conciliate the cultivation of a free and sacred sexual relationship with the worship of the child, as the embodiment of the future race, while Olive Schreiner proclaims in her _Woman and Labour_ that the woman of the future will walk side by side with man in a higher and deeper relationship than has ever been possible before because it will involve a new community in activity and insight.