The taste of honey : $b The note book of a linguistUnderwood, Edna Worthley
History
The taste of honey : $b The note book of a linguist
Underwood, Edna Worthley
Literature -- History and criticism
We are forced to admit that the outlook of Germany is vast. It is
not easy to comprehend how vast. In it, individual welfare has
been sacrificed as ruthlessly as the Samurai Creed sacrificed it,
centuries ago, in Japan. We call this _barbarism_. Germany has been
cut latest of the European nations by the disease, _civilization_. As
smallpox, other ills of flesh, are more fatal in a young, fresh race,
not before visited by it, so young Germany fresh from the forests,
the fens, felt the disease, _civilization_. For her it has been most
deadly.
I recall the school on the plains. School is probably too important a
word. It was a few bare rooms over a business block. No building for
the purpose had been put up. From the windows we could look across
the Main Street into upper rooms of other buildings. These rooms had
been rented to houses of ill fame. Any time we could turn from our
lessons and see the painted creatures lolling in the rooms, with
their lovers. They were fat, greasy, disheveled, and clad in gay,
cotton _Mother Hubbards_.
Beneath one of these houses there was a saloon. From the windows we
could look over tops of screens that cut the too plain view from the
sidewalk, and see Greasers, Indians, the stragglers of the plains,
drinking, gambling. They quarreled frequently. Occasionally they
fought with knives, with pistols. But the thrust of a knife that
killed, in the lonely silence of the circling prairie was unimportant.
It was as if I saw it all far off through sheets of crystal. There
was nothing I wanted. It represented the forces from which I longed
to get away. As I walked about the streets of this settlement on the
plains, drenched with sun and breeze-swept, I was conscious of an
unknown world of art. I used to say to myself: I can not know the
heights of life, wealth, power. I can not have things that do not
depend upon myself. But, with my brain, I can know the heights of
art. I can know all men have dreamed. I learned languages as other
women learn to sew. For me they kept few difficulties. My foreign
tutor, to whom I owe a debt of gratitude, who knew many tongues, was
introducing me to books of the Old World. He had a library of his
own, of which he was good enough to give me use. His name was Arnold
Jeannerett.
I was dazed at first, breathless, at this introduction to the
sumptuous Palaces of Thought. Less and less I saw the world about
me. It faded away with its crudity, harsh, noisy contrasts;
discomforts; its persistent attempt to make life miserable for me.
Nothing remained but a place of enchantment where there were no
imperfections, and everything was as I wished.
I read Ariosto. I learned to know Petrarch, and the classics of
Italy. I read the splendid prose of France; Bossuet, Fenelon,
Chateaubriand, Rousseau. I read the lyric poets of Germany. Hidden
upon my person somewhere, either in a pocket in my calico petticoat,
or else within the lining of my hat, was some tiny book of the Old
World.
Public-domain text, read in full here on John Shaqi.
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