The taste of honey : $b The note book of a linguist — John Shaqi
The taste of honey : $b The note book of a linguistUnderwood, Edna Worthley
History
The taste of honey : $b The note book of a linguist
Underwood, Edna Worthley
Literature -- History and criticism
But when I was in my first teens the Great Salvini came, and with
him a son. They played _The Three Musketeers_, in what popular
pride, somewhat feeble in fact, called the Opera House. The dramatic
production here was of slight importance to them. What they really
came for was to go quail hunting in the Indian Territory. My father,
as it happened, was the best wing-shot in the State. I had inherited
a little of his ability; I was permitted to go along.
The two Italians were impressed with the eloquence, the
space-surprise of the unmarked land-levels, where roads were just
anywhere you wished to go, and the sweep of light unimpeded. I
was impressed with the beauty, the charm of the young Italian. In
addition to genius, there was upon him the seal of an ancient rich,
finely tempered living.
The winter that followed I was in a university in the north, lonely
and homesick for the sun, for the south. Then I saw that Salvini was
billed.
After the first performance I went behind the scenes to renew
acquaintance with my gay hunting companion of the autumn. This was
the beginning of a week of delight such as my child’s soul had not
known, a week when I saw daily this engaging Italian youth, so unlike
the young men of the plains whom I had known. I, who even then, was
peculiarly sensitive to beauty, was all but stricken dumb by this
alluring personality. I sensed the splendid things he had known which
were unknown to me.
When at length he had to go away, I wept. He was beauty and youth
and love and charm. He was all the things I liked and dumbly wanted.
What remained was the snow-bound, duty-filled Michigan winter, where
day was too short, too quickly black-rimmed with dusk and night.
As in the case of Adonis of old, beauty was dead and my heart was
lamenting.
Years passed. Life like an uncontrollable tidal-wave swept in,
bearing the things I hated or had no interest in. In short, I grew
old with the years.
Then, one night in New York, in a little moving-picture theatre on
a cheap side street, one night of winter, when the snow outside was
deeply white, just as it used to be by black forest edges, in those
long forgotten Michigan winters, I saw laughing down upon me from the
silver screen, in a luxurious Roman garden-scene from _Quo Vadis_, a
face I seemed to have known. What dimly remembered delight was there!
In the eyes, mouth, the careless gesture of the head, the trained
grace of hands! It was the face of a man no longer in his first
youth, but keeping still youth’s slenderness, youth’s lines. A face
more eloquent, made more impassioned and moving by the years, and
crowned with the flowers I always loved, the fragile flowers of an
Italian spring. The background was an old, rich garden of the south,
and beyond—the Immortal City, _Rome_. Into the eyes as they looked
upon me crept a look I seemed to remember. _Salvini!_
Public-domain text, read in full here on John Shaqi.
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