The taste of honey : $b The note book of a linguistUnderwood, Edna Worthley
History
The taste of honey : $b The note book of a linguist
Underwood, Edna Worthley
Literature -- History and criticism
Keeping house resembles a clock. You wind it up on Saturday night and
it puts in the rest of the week in running down.
Life is about as satisfactory in its attempts as the thrusts of
swordsmen fencing with blindfolded eyes.
One of my greatest regrets has been that life has no back door.
Necessity is quite as often the mother of goodness as invention.
In the old wars recorded eloquently in tapestries, marbles,
canvasses, men died and kept their faith. The coming wars will be
wars of science. They will be fought largely by the brain, in lonely
rooms. Men will die just the same, but they will not keep their
faith. Sacrifices will be heaped to a new God—Super-Mechanics.
Yet the Greeks used to write songs to Apollo in which they called him
both _Destroyer_ and _Healer_. If circles of time are vast, still
they are circles.
Republics have been the world’s dream of justice. Now Science is
shaking them sadly. What is there Science is not shaking? Is there a
field of mind not attacked?
The thinking of France, the philosophical dreaming of Germany, the
peculiarly destructive quality in the brain of the Hebrew, have
together been helpful in hastening change. There is no value not
suffering transformation.
Hear what De Tocqueville writes about democracy in America. He had
one of the most dangerously penetrating minds the world has known:
_I think that the species of oppression by which democratic nations
are menaced is unlike anything that ever existed before ... men are
seldom forced by it to act, but they are constantly restrained from
acting. Such a power does not destroy but it prevents existence._
The gentle, the humanity loving philosophizing of the painter, Redon,
in his notes, is good to know. It tells us, too, how great his heart
was. He insists continually upon something I have always believed,
that, in supreme creating, the heart, nobility of nature, play a not
yet credited part.
As the Bhagavad Gita is a breviary for the soul, some of the notes of
Redon are a breviary for art and its making. Few can read him without
feeling an impulse to be better, loftier visioned. His brief notes,
his diary jottings, are a kind of New Testament of Beauty.
A Biblical soul, flinging forth proud, powerful phrases! A prophet
painting super-terrestrial flowers, too ripe in color, too wise,
graceful, lovely, but weighted with divine regret!
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account