The taste of honey : $b The note book of a linguistUnderwood, Edna Worthley
History
The taste of honey : $b The note book of a linguist
Underwood, Edna Worthley
Literature -- History and criticism
The Americas are the fateful Continents. Slowly they have destroyed
the great living that existed before. And now they are forming the
background for the New World, the dangerous scientific world, when
values will be made over, and nothing will be as it was before, not
even gods. The discovery of America marked the beginning of the death
of beauty.
Some of the new and extreme schools of writing, of art in general,
are merely expressions of weakness. The mind is registering wonder,
uncertainty, and fear, at tremendous change. A close-up that is too
sudden has caused temporary loss of mental poise. And with it has
come the slower comprehension, that the old arts are dying, that they
can not live on, because they will not be needed nor able to interest
anyone, nor even amuse, in a scientific world.
I have read novels in German all my life and now I am asking myself
why I do not have the impulse to write about them. There must be a
reason. But I can not find it. I do not think that the English tongue
carries German printed art any too well, when it is translated.
It is silly to say that people love different things. But sometimes
it is necessary. Our friends love us only when we are foolish and
they can look down upon us. A dangerous gesture always.
Some women when they are young love kittens, dogs, dolls or men, and
always themselves, because they can not see themselves. As for me,
I have loved words. Only words could give me the supreme emotion,
because they were suffering strange and inexplainable change,
which enchanted then puzzled me; transformations of sound, sense,
down long alley-ways of time and living; and calling with voices
changefully beautiful and broken, keeping always beyond the magic of
perfect realization, and in addition, like a false love, prodigal
of promises, infinite and unkept. The emotion of words, with their
different rhythmic passions, in many races, in many lands, lured me.
Following etymological laws, I have watched them, like gay actors on
a stage in a play that never ends, put swiftly on varying vowel and
consonant raiment. I have held my breath at the capricious orders of
change. I have felt delight at their fresh grotesqueness.
Words are our oldest playmates. There is nothing else save the air we
breathe with which so long we have been in contact.
At this moment, as a civilization changes, a period of time comes
to an end, (and all else is useless and time-stained), women who
play Bridge, patronize Beauty Parlors, fly in aeroplanes, use the
root-words their Ayrian ancestors used, upon Indian highlands, at
time of the dispersal of races, when they say _sew_—Indian _siv_.
Since then the physical body has been made over in some degree,
gods and religions have come and gone, the human voice has circled
the globe and man learned to fly like the birds, but the little,
helpless, drifting word with which we cry remains the same.
Public-domain text, read in full here on John Shaqi.
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