The taste of honey : $b The note book of a linguistUnderwood, Edna Worthley
History
The taste of honey : $b The note book of a linguist
Underwood, Edna Worthley
Literature -- History and criticism
We have not explored all the properties of words any more than of
matter. There are shores waiting for Columbus. We can not determine
exactly their _psycho-plasm_, so to speak. We do not know all the
phosphoric, ancient visions that enveloped them, and still cling
to them. Their boundaries are always changing. They can not be
definitely measured. They possess _degrees_ of being potently
visible. For incalculable time the souls of races have wrapped them
with love. They have borne intact, to today, the dreams of the world.
In England, in days of Shakespeare, words were fat, red-blooded,
unctuous. In America they have been growing leaner and leaner. We
lack greatly the rich variety of the older country. Our speech
has lost a kind of vigor, sweetness, substantiality. As late as
Stevenson, this quality remained in English prose. It has never been
transplanted, successfully, to America.
We are losing, too, some of our fine, former pride in Saxon strength,
which is our heritage. We are less faithful to ideals. We are
falling away from its precepts. We are losing sight of belief in
the desirability of its future power over our race. We are turning
rather briskly toward foreign gods, toward false standards.
We are losing, too, the homely faith and friendliness of English
social life, which is something whose strength we can not estimate;
its merriment, uncomplaining courage, in the heart. We have nothing
to substitute, or worse, things not our own.
They who loved words best, and perhaps understood best their varying
values, were decadent Greek and Roman writers, who looked upon them
as gems, who knew all their tints, their shades, and certain French
writers, a little later (roughly estimating) than 1830. Callimichus
loved them in the ancient world. He spoke of them as the Arab loved
and spoke of _Saïf_, the sword. Something clean, cruel, powerful,
decisive, uncompromising. Mallarmé, of the moderns, I think has loved
them best. Hokusai, the Japanese print-maker, cried with sincerity:
_Write me down as the old man who is mad about line._ With equal
sincerity I exclaim: Write me down as the woman who is mad about
words.
Public-domain text, read in full here on John Shaqi.
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