The taste of honey : $b The note book of a linguistUnderwood, Edna Worthley
History
The taste of honey : $b The note book of a linguist
Underwood, Edna Worthley
Literature -- History and criticism
Cubism, so-called, does not necessarily belong to plastic art,
nor verse. A new mind which may be termed _cubism of the spirit_
has come; a spirit of destruction largely, brought about by the
increasing passion of the individual for _self_, expression of self,
assertion of self. The three points of time, that led to this,
widely separated, different as they are, were (first) Christ and
his teachings; (second) the Eighteenth Century in revolt against
government forms and established standards; and the present, its
equally great revolt against reverence of all kinds, its deification
of _the ego_, its passion for destruction and the dawning scientific
mind. This has brought a condition which might be termed _the golden
age of the commonplace_, when people who can neither write nor think,
paint nor carve, dance nor make music, insist upon the sacredness,
the necessity of expression. The _ego_ of the individual is enlarged.
This is one cause of the increase in crime. It is inflamed. Everyone
is convinced he has rights that bear no relation to his ability.
Moral fiber is breaking. Ambition and talent are not the same.
This may be herald of a cycle of time, a new, a different world
civilization. When such change has come, history tells us, art begins
to die first, before morals or manners. The spirit of destruction is
directed toward ideals.
In the plastic arts the careless, blithe, fine laughter is gone. The
moment’s creative joy. There is less real beauty, but more _nerve_,
daring. When the sculptor boasts either of _modernism_, or primitive
vision, he harks back to things Assyrian, not Greek. The last touch
in the world of that serenity we found in Greek marbles, is in the
figures of Clodion. Afterward, it comes no more. When art and letters
feel breath of decay, nations have gone a long way toward that
decay. As proof, review the history of antiquity. Is that what is
setting in? Is that what is going to result in remaking the world,
in creating a new order of mind? Transition is startling. Everything
is changing. Art and letters are changing rapidly; music too, the
political outlook, morals, religions. Nothing is left untouched.
A period of rebellion is here. Love, sincerity, friendliness, are
disappearing. Another civilization is heaving to sight with the wild,
brawling winds, the harsh atmospheric disturbance of birth of a star.
Some quality, usually in solution in life of our planet, and to us
indispensable, disappeared. Since this has been evident.
Public-domain text, read in full here on John Shaqi.
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