The Taylor-Trotwood Magazine, Vol. IV, No. 6, March 1907Various
History
The Taylor-Trotwood Magazine, Vol. IV, No. 6, March 1907
Various
American literature -- 20th century -- Periodicals; Southern States -- Periodicals
It is related that General Washington was much interested in the Octagon,
frequently riding by on horseback to watch the progress of its building,
though he was not permitted to witness its completion. Singularly enough,
it was begun in the same year, finished in the same year (1801) and
designed by the same architect (Dr. Thornton) as his own house on Capitol
Hill. The Octagon was well and strongly built and set in a triangular lot
which conformed to the street lines. The rear premises, in which were
located the stables and servants’ quarters, were enclosed by a high brick
wall, now broken in places, and ivy-grown.
When finished, this was the finest private residence in the Federal City,
as it antedated the more stately Van Ness mansion by a number of years,
and from its unique style of architecture was regarded as the show house
of the surrounding country.
The irregular perimeter of its walls—whence the name “Octagon”—includes
five sides and six angles for the main body of the house, with two short
sides, and a circular swell across the front—demonstrating that the owner
had to strain a point and round a curve for its christening. The exterior
exhibits many windows of the old-fashioned, small-pane pattern, and from
the rear giant old trees fling their flickering shade athwart them.
[Illustration: THE OCTAGON HOUSE]
The interior of the house was modeled to fit the outward circumference,
the doors, sash and glass in the circular vestibule being made on the
circle and all still in working order.
In the niches prepared for them are exhibited two old cast-iron wood
stoves, which crackled their good cheer for generations long past, but
which evidently owe their present lustre to more recent furbishings. The
doors on the ground floor are all of mahogany, and in an excellent state
of preservation, as is likewise the railing to the stairway leading from
the main hall up to the third story—a frail, insubstantial-looking affair
with its slender wooden pilasters and narrow rail; yet, owing to the fact
that every fourth pilaster is of iron, and the railing of mahogany, this
old stairway has stood the test to which more massive balustrades have
succumbed.
The rooms, eleven in all, are few, as compared with the size of the
building, but the area of some of them might easily accommodate a modern
housekeeping apartment. To the right of the main hall is the spacious
drawing room, which has been the scene of many a brilliant assemblage in
the days long gone, where the bas-relief figures on the mantel imported
from London, watched the going and coming of the men and women who made
history. Upon the estimate of an expert, it is said that the cost of
reproducing this mantel in marble nowadays would be two thousand dollars.
Public-domain text, read in full here on John Shaqi.
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