The Taylor-Trotwood Magazine, Vol. IV, No. 6, March 1907Various
History
The Taylor-Trotwood Magazine, Vol. IV, No. 6, March 1907
Various
American literature -- 20th century -- Periodicals; Southern States -- Periodicals
The mornings come, the evenings go,
Till raven locks turn white as snow;
The evenings go, the mornings come,
Till hearts are still and lips are dumb;
The morning steals the stars in vain,
For evening steals them back again.
The mornings are the rapturous thoughts of God; the evenings are His
glorious dreams. We think within His thoughts, and dream within His
dreams. The sun and stars are His mighty looms on which he weaves the
lights and shadows that tint the earth and sky with colors divine. But
let those looms of light for a moment stop; let their blissful shuttles
cease to fly, and instantly, this beautiful world of ours, with all its
bloom and beauty blighted, with all its mirth and music hushed, would lie
naked and dead on the cold bosom of eternal night.
So it is with human life. It hath its spirit looms, and its throbbing
shuttles forever delivering to the warp and woof of hope and memory, the
shining threads of human kindness, and weaving them into gossamer webs
of love around our hearts and in our homes. Every tender word we speak;
every blessing we bestow is a thread of sunshine woven into somebody’s
life; and all the smiles and sympathies which come to us from other
hearts are threads of light and love woven into our own. But let the loom
of love for a moment stop; let its blissful shuttle cease to fly, and
that moment happiness will lie dead on the hearthstone, and laughter will
perish among the roses at the door.
All men are Kings, but love is King of Kings. His imperial chariot
rumbles over the cobblestones of human hearts, and the sighing millions
are his worshipers. Wealth bows its haughty head before his throne, and
pays penance with jewels and gold; labor bends the reverent knee and
counts its beads of sweat; commerce folds its snowy wings and kneels on
the billows in mute but eloquent adoration, and art chisels down the cold
white prison walls of shapeless marble and leads dumb beauty forth, a
breathless prayer to love.
Love is the only despot against whose tyranny no nation ever rebels;
his yoke is the twining of tender arms, and the crack of his whip is
a guileless kiss. Love is a regal anarchist; he climbs the ladder of
laughter and throws bomb shells of mirth into the palace of the heart.
Love is a royal minstrel; he scales the harp strings of song and
serenades the soul. Love rides on the wings of butterflies, and, with
his silken lariat, lassoes strolling lovers, and leads them down among
the golden rod and clover blossoms. The dimples in the chin of mirth are
the tell-tale tracks of love; and he lurks among the roses that bloom on
beauty’s cheek.
[Illustration: With Trotwood]
THE RIGHTS OF CHILDHOOD
Public-domain text, read in full here on John Shaqi.
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