The Teaching of Art Related to the Home: Suggestions for content and method in related art instruction in the vocational program in home economicsFallgatter, Florence
General
The Teaching of Art Related to the Home: Suggestions for content and method in related art instruction in the vocational program in home economics
Fallgatter, Florence
Art -- Study and teaching; Home economics -- Study and teaching
[Illustration: Figure 4.--In a Nebraska high school a screen was used
in an unattractive corner as a background for an appreciation center]
3. Do you like this scarf? This cushion? This picture? Why? Why not?
Why is there some disagreement? To what extent can our likes guide
our choices?
4. The class may be asked to choose from a number of vases, lamp
shades, table covers, or candles those which they think are most
beautiful. The question may then be asked, "Would you like to find
out what makes some articles more beautiful than others?"
5. Where in nature are the brightest spots of color found? Have you
ever seen combinations of color in nature that were not pleasing?
How may we make better use of nature's examples?
6. Why do girls and women prefer to go to the store to select dresses
or dress material? Hats? Coats? Can one always be sure of the most
becoming thing to buy even when shopping in person? What would be
helpful in making selections?
The classroom setting for the teaching of art plays a very important
part in arousing interest. Attempting to awaken interest in art
in a bare, unattractive room is even more futile than trying to
create interest in better table service with no table appointments.
In the first situation there is probably such a wide variation in the
background and experience of the pupils and in their present ability
to observe the beautiful things of their surroundings that it becomes
increasingly important that the teacher provide an environment which is
attractive and inviting. In the second situation the pupils have had
experience with the essential equipment in their own homes and so can
visualize to some extent the use of that equipment at the table.
Bobbitt[18] says--
One needs to have his consciousness saturated by living for years
in the presence of art forms of good quality. The appreciations
will grow up unconsciously and inevitably; and they will be normal
and relatively unsophisticated. As a matter of fact, art to be most
enjoyed and to be most serviceable, should not be too conscious.
Schoolrooms in which pupils spend a large part of their waking hours
should provide for the building of appreciation in this way, and it is
especially true in the homemaking room. Some home economics teachers
have cleverly planned for students to share in the responsibility
of creating and maintaining an attractive classroom as a means of
stimulating interest in art. It would be well for all home economics
teachers to follow this practice.
[Illustration: Figure 5.--The simplest school furnishings can be combined
attractively. A low bookcase, a bowl of bittersweet, and a passe partout
picture as here used are available in most schools]
In many economics laboratories there are several possible improvements
that would make better environment for art teaching. Suggestions for
such improvements include:
Public-domain text, read in full here on John Shaqi.
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