Not until all girls in the public schools can have their inherent love for beauty rightly stimulated and directed may we look forward to a nation of homes tastily furnished and artistically satisfying or of people who express real genuineness and sincerity in their living. With the inception of the vocational program in home making through the passage of the Smith-Hughes Act by Congress in 1917, art was recognized as one of the essential related subjects. Thus, in the majority of the schools that have organized vocational homemaking programs, art has been included as a part of these programs and an effort has been made to apply the principles of art to those problems in everyday life in which beauty and utility are factors. The aim has been to develop in girls not only an understanding of these principles but also an ability to use them intelligently in solving many of their daily problems. Therefore the teaching of art in home economics courses is primarily concerned with problems of selection and arrangement. The girl as a prospective home maker needs to know not so much how to make a pattern but how to choose one well; not how to make a textile print but how to select and use it; not how to design furniture but how to select and arrange it; not how to make pottery but how to select the right vase or bowl for flowers. At the same time, teachers of related art in vocational schools have endeavored to show that true art is founded upon comfort, utility, convenience, and true expression of personalities as well as upon the most perfect application of art principles. Considerable emphasis has been given, therefore, to a consideration and utilization of those material things that afford opportunity for self-expression. The importance of such self-expression is stressed in the following words by Clark B. Kelsey:[3] The home expresses the personalities of its occupants and reveals far more than many realize. It stamps them as possessing taste or lacking it. Thinking men and women want backgrounds that interpret them to their friends, and they prefer that the interpretation be worthy. They also want them correct for their own personal satisfaction. In art courses that are related to the home, an attempt is made to build up in girls ideals of finding and creating beauty in their surroundings and to bring them to the point where they can recognize fitness and purpose and see beauty and derive pleasure from inexpensive and unadorned things that are available to all homes. Mr. Cyrus W. Knouff[4] has well expressed something of the importance of such a practical type of art training as follows: