The telephone, the microphone & the phonograph — John Shaqi
The telephone, the microphone & the phonographDu Moncel, Th., comte
History
The telephone, the microphone & the phonograph
Du Moncel, Th., comte
Microphone; Phonograph; Telephone
The sending instrument consists of a sort of telephone without a
handle, E, of which the vibrating disk is formed of a very thin plate
of tin. A cylindrical piece of carbon C is fastened to its centre, and
is supported by another cylinder of the same material H. This rests
on a transverse piece of wood A B, jointed on the side A, on the edge
opposite to the box, by means of a regulating screw V. An arched spring
R (the end of a watch spring) placed across this piece of wood gives
it a certain elasticity beneath the pressure, and this elasticity is
necessary in order that the instrument may act properly, and it thus
becomes a sort of microphone with a diaphragm.
The tin plate is put into communication with one pole of a battery P,
of six Leclanché cells, and the lower carbon cylinder H corresponds to
the primary helix of an induction coil M, previously connected with
the second pole of the battery: Finally, the two extremities of the
secondary helix of the coil, _a_ and _b_, are in immediate connection
with the two plates D, D, of the condenser.
This secondary helix should consist of twenty strands of wire No. 32,
covered with silk, and the primary helix is made of five strands of
wire No. 16. The length of the coil should not exceed seven centimètres
and the diameter of the core of fine iron wire ought to be about one
centimètre.
In order to produce song on the condenser, the sender must be so
regulated that the two carbons C and H do not touch each other in
their normal condition, but they should be so close that in singing
the vibrations of the disk L L may effect the needful contacts. The
adjustment can be easily made by the touch, and by uttering the same
note until it is repeated by the condenser. If three notes, given in
succession, are faithfully reproduced, the instrument may be assumed to
be properly regulated, and, in order to make it work, it is enough to
apply the mouth to the mouthpiece as it is applied to a reed pipe.
In order to obtain a satisfactory result, the disk of the instrument
must be heard to vibrate, as in a _flûte à l’oignon_. Instead of
carbons, contacts of platinum may be used; but when arranged as we
have described, the instrument may be employed for several purposes,
as we shall see presently. This instrument is made by MM. Chardin and
Prayer. M. Janssens has made the system more portable by fastening the
sender, represented in fig. 5, to a handle in which the induction coil
is placed: the instrument then resembles an ordinary telephone, and
the vibration of the diaphragm is made more easy by piercing two holes
in it. On the side of the sending-box, above and below the diaphragm,
there are binding screws in connection with the end of the handle,
since the instrument may be used as an ordinary telephonic sender, and
even as a telephonic receiver.
SPEAKING TELEPHONES.
Public-domain text, read in full here on John Shaqi.
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